A lucid, astute text that unpacks the myths of Russian history to help explain present-day motivations and actions.
An expert on Russia delivers a crucially relevant study of a country that has been continuously “subjected to the vicissitudes of ruling ideologies.”
Wolfson History Prize winner Figes, one of the world’s leading authorities on Russian history and culture, shows how, over centuries, Russian autocrats have manipulated intertwined layers of mythology and history to suit their political and imperial purposes. Regarding current affairs, the author argues convincingly that to understand Putin’s aggressive behavior toward Ukraine and other neighboring nations, it is essential to grasp how Russia has come to see itself within the global order, especially in Asia and Europe. Figes emphasizes the intensive push and pull between concepts of East and West since the dubious founding of Kievan Rus, “the first Russian state,” circa 980. Russia’s geography meant it had few natural boundaries and was vulnerable to invasion—e.g., by the Mongols—and its mere size often required strong, central military control. It was in Moscow’s interests to increase its territorial boundaries and keep its neighbors weak, a strategy still seen today. Figes explores the growth of the “patrimonial autocracy” and examines how much of the mechanics of the country’s autocracy, bureaucracy, military structure, oligarchy, and corruption were inherited from three centuries of Mongol rule. From Peter the Great to Catherine the Great to Alexander II (the reformer who freed the serfs) and through the Bolsheviks to Stalin: In most cases, everything belonged to the state, and there were few societal institutions to check that power. “This imbalance—between a dominating state and a weak society—has shaped the course of Russian history,” writes the author in a meaningful, definitive statement. Today, Putin repudiates any hint of Westernizing influences (Peter the Great) while elevating the Eastern (Kievan Rus, the Orthodox Church). In that, he is reminiscent of Stalin, who recognized the need for patriotic fervor and national myths and symbols to unite and ensure the oppression of the masses.
A lucid, astute text that unpacks the myths of Russian history to help explain present-day motivations and actions.Pub Date: Sept. 20, 2022
ISBN: 978-1-250-79689-9
Page Count: 352
Publisher: Metropolitan/Henry Holt
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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