by Óscar Martínez ‧ RELEASE DATE: Oct. 8, 2013
A harrowing look at the real costs of globalization, immigration and drug-prohibition politics, short on solutions and...
Grim, grisly account of the predations suffered by impoverished migrants on the hazardous journey to el Norte.
Previously published in Spain in 2010 and in Mexico in 2012, Martínez’s debut is the hard-won result of immersive journalism. After several large-scale kidnappings of migrants, the author spent two years following the routes used by undocumented travelers though Mexico. He found that the rise of powerful, violent drug cartels has eradicated the rules of an already challenging journey; now, the migrants are universally viewed as human chattel to be exploited. Martínez writes precisely, with bleak gallows humor, as when he notes of cops unhappy with his investigation, “a dead migrant is commonplace, but a couple of dead journalists is another matter.” Yet all his observations are numbingly bleak. He finds border cities, like the notoriously violent Ciudad Juarez, to be “racked by a madness akin to civil war,” while the feared Los Zetas “have infiltrated everywhere. Not even the Army is clean.” The narrative is a litany of horrors: casual murder, near-universal sexual assault and frequent accidental deaths via freight-hopping. Martínez portrays a Mexican society in which these pathologies are universally understood, yet cartel intimidation and bureaucratic corruption have destroyed the social order: “There is, simply put, nobody to assure the safety of migrants in Mexico.” Meanwhile, the United States’ high-tech border militarization has resulted in a “funneling” effect, forcing vulnerable migrants and drug smugglers to share increasingly constricted routes. “Where is it safe to cross? And the answer is, nowhere,” he writes. “The US government has made sure of that.” Martínez develops attentive portraits of the migrants, officials, aid workers and criminals he encounters; his first-person account is executed with passion and grit, illuminating a heartbreaking yet easily ignored reality.
A harrowing look at the real costs of globalization, immigration and drug-prohibition politics, short on solutions and absent hope.Pub Date: Oct. 8, 2013
ISBN: 978-1-78168-132-9
Page Count: 224
Publisher: Verso
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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by Óscar Martínez & Juan José Martínez translated by John B. Washington & Daniela Ugaz
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by Óscar Martínez & translated by John Washington Daniela Maria Ugaz
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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