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UNDER FIRE

THE NRA AND THE BATTLE FOR GUN CONTROL

Beginning with the story of ``Eddie'' Purdy, who killed five children in a California schoolyard and then turned his AK-47 assault rifle on himself, Davidson (Broken Heartland, 1990) writes what at first seems an emotional antigun tract. In fact, it is something much more interesting: a detailed examination of political influence as wielded by perhaps the most powerful of special interests—the National Rifle Association. Davidson begins by sketching the NRA's beginnings as a group promoting military rifle-practice, and its gradual metamorphosis into an organization for hunters and civilian target-shooters. It was only in the 1970's, under the leadership of Harlon Carter—a controversial Texan who nearly tripled NRA membership during his tenure—that Second Amendment absolutism became the organization's raison d'àtre. Most of the text is a fascinating analysis of the origins of the gun lobby's legendary clout—in effect, a graduate course in real-world politics. Davidson follows the progress through Congress of various gun-control bills; details the NRA's response (from procedural fights to concerted efforts to oust unsympathetic legislators); examines the changing nature of the antigun movement; and records the split between the NRA and many law-enforcement professionals. And while the author believes in the necessity of some form of gun control, he points out distortions and loaded statistics used by gun-law advocates, as well as the NRA's readiness to demonize its opponents. Unlikely to change the minds of hard-liners on either side of the gun debate; but, still, a fascinating study of the practical application of political power.

Pub Date: April 13, 1993

ISBN: 0-8050-1904-9

Page Count: 304

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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