Next book

THE BEST AMERICAN CRIME WRITING

Entertaining and edifying essays keep the reader mindful of the thin lines separating illicit temptation from criminal...

Promising debut for a new annual anthology, with 17 selections bearing out the editors’ contention that “crime, being human, runs along a continuum that steadily darkens.”

Edgar nominee Cook (Places in the Dark, 2000, etc.) and Mysterious Press founder Penzler have chosen entries of consistently high quality in a pleasing variety of tones and authorial stances. E. Jean Carroll’s “The Cheerleaders” (originally in Spin) depicts a bizarre string of murder, accident, and suicide that decimated the teenage girls of Dryden, New York; it’s one of several pieces here that capture the havoc crime wreaks upon domestic tranquility. Many essays first appeared in the New Yorker, including Pat Jordan’s “The Outcast,” an interview-based portrait of O.J. Simpson detailing both his cheesy Florida exile and his barely contained malevolence, and Peter Boyer’s “Bad Cops,” which addresses aspects of the LAPD Ramparts scandal. Selections from GQ and Details explore unsettling connections between violence and the culture of sport and hedonistic consumption, whether represented by football player Rae Carruth, who arranged a pregnant woman’s murder (Peter Richmond’s “Flesh and Blood”), or by an impoverished Texas woman who killed her children during a sex-and-drugs bender (Robert Draper’s “A Prayer for Tina Marie”). Other malefactors range from Oklahoma cockfighters and Israeli Ecstasy kingpins to a defrocked DEA agent and a serial killer/con artist. And there’s no shortage of provocatively expansive topics. In “The Chicago Crime Commission,” Robert Kurson portrays the last of the true believers fighting the once-feared “Outfit,” while William Langewiesche’s sobering explication of “The Crash of Egyptair 990” underscores the vast gulf between American and Arabic cultures. Of course, this is also the underlying story of Time editor Nancy Gibbs’s “The Day of the Attack,” which brings a necessary journalistic clarity to the recent horror of September 11, 2001, while focusing on its human toll.

Entertaining and edifying essays keep the reader mindful of the thin lines separating illicit temptation from criminal savagery.

Pub Date: Aug. 13, 2002

ISBN: 0-375-42163-7

Page Count: 384

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Next book

KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

Next book

IN COLD BLOOD

"There's got to be something wrong with somebody who'd do a thing like that." This is Perry Edward Smith, talking about himself. "Deal me out, baby...I'm a normal." This is Richard Eugene Hickock, talking about himself. They're as sick a pair as Leopold and Loeb and together they killed a mother, a father, a pretty 17-year-old and her brother, none of whom they'd seen before, in cold blood. A couple of days before they had bought a 100 foot rope to garrote them—enough for ten people if necessary. This small pogrom took place in Holcomb, Kansas, a lonesome town on a flat, limitless landscape: a depot, a store, a cafe, two filling stations, 270 inhabitants. The natives refer to it as "out there." It occurred in 1959 and Capote has spent five years, almost all of the time which has since elapsed, in following up this crime which made no sense, had no motive, left few clues—just a footprint and a remembered conversation. Capote's alternating dossier Shifts from the victims, the Clutter family, to the boy who had loved Nancy Clutter, and her best friend, to the neighbors, and to the recently paroled perpetrators: Perry, with a stunted child's legs and a changeling's face, and Dick, who had one squinting eye but a "smile that works." They had been cellmates at the Kansas State Penitentiary where another prisoner had told them about the Clutters—he'd hired out once on Mr. Clutter's farm and thought that Mr. Clutter was perhaps rich. And this is the lead which finally broke the case after Perry and Dick had drifted down to Mexico, back to the midwest, been seen in Kansas City, and were finally picked up in Las Vegas. The last, even more terrible chapters, deal with their confessions, the law man who wanted to see them hanged, back to back, the trial begun in 1960, the post-ponements of the execution, and finally the walk to "The Corner" and Perry's soft-spoken words—"It would be meaningless to apologize for what I did. Even inappropriate. But I do. I apologize." It's a magnificent job—this American tragedy—with the incomparable Capote touches throughout. There may never have been a perfect crime, but if there ever has been a perfect reconstruction of one, surely this must be it.

Pub Date: Jan. 7, 1965

ISBN: 0375507906

Page Count: 343

Publisher: Random House

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Jan. 1, 1965

Categories:
Close Quickview