No, the princess doesn’t really get her due—but at least the horse survives.
A dark, old tale recast in a lighter vein, featuring a young prince, a captive princess, and a troll with a hidden heart.
Setting out to find his six brothers and their brides, who have been turned to stone by an evil troll, Prince Fred gets help along the way from his nervous talking horse and a chance-met elephant, tricks a hungry wolf (rather than give it the horse in trade, as in the original), and enlists a willing princess to lie down with the troll (in pajamas) to winkle out just where the giant has hidden his heart. Said organ turns out to be stashed in a magically sealed jar at the bottom of a filing cabinet guarded by a giant octopus—an ill-considered plan, since octopuses are particularly good at opening jars (this is true). Following a prose opening, Torseter presents the tale in a mix of panels and larger scenes, all drawn as thin-lined cartoons with color highlights. Fred and his clan recall the Moomins; the princesses are all human but too stylized to determine ethnic identity (they are diversely garbed, though); and the troll is a particularly hideous, hulking figure. Come the denouement, off ride Fred and “his” capable but never-named princess to a “more or less” happily-ever-after.
No, the princess doesn’t really get her due—but at least the horse survives. (source note) (Graphic folk tale. 8-11)Pub Date: Sept. 7, 2016
ISBN: 978-1-59270-193-3
Page Count: 120
Publisher: Enchanted Lion Books
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
File under “laugh riot.”
A rogue spell-check program’s bid to transform all life-forms into that eminently useful office item, the paper clip, touches off a fresh round of lunar lunacy.
Predicated on the entirely reasonable premise that eliminating all spelling and grammar errors everywhere would logically lead to the necessity of exterminating carbon-based life in the universe, this third series entry combines high stakes with daffy banter and daring exploits. CheckMate—a chipper, jumped-up editing program—has invented the Transmogratron, a giant laser that will fulfill its ultimate goals in both the cyber world and “meatspace.” Facing challenges as random as prankster lunar unicorns and a disarmingly motherly Motherboard, scowling First Cat joins a motley crew of diversely carbon- and silicon-based allies, led by the pearlescent Queen of the Moon. They’re in a race to the finish—diverted occasionally by, for instance, a relentlessly punny comic-book interlude featuring a pair of literal and figurative Pool Sharks. They ultimately triumph thanks to teamwork and moxie. Following a celebratory party and toasts to “new friends…and steadfast comrades” (and, of course, “MEOW”), the story’s energetic, brightly colored panels close with a reveal of the next volume. (“I always hate it when comics end by announcing a sequel. SO CRINGE!” declares an authorial stand-in.) It can’t come too soon.
File under “laugh riot.” (Graphic science fiction. 8-11)Pub Date: Nov. 5, 2024
ISBN: 9780063315280
Page Count: 272
Publisher: HarperAlley
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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