by Øyvind Torseter ; illustrated by Øyvind Torseter ‧ RELEASE DATE: Sept. 21, 2013
A one-trick pony—and the trick’s not all that great.
The Norwegian illustrator of My Father’s Arms Are a Boat (2013) pokes a pencil-sized hole through both covers and all 64 pages of this outing—but then doesn’t do much with it.
In very plain, nearly wordless line drawings with pale monochromatic highlights, Torseter depicts a cartoon figure (a lanky creature with a face like a hippo) who spots the hole in the wall of his new apartment. He chases it as it “moves” through various rooms and then plunks it in a box. He proceeds to “carry” it through a long sequence of city scenes—it does duty as sign lettering, wheels, eyes, lights and other items—to a laboratory, where it’s shoved into a drawer. The figure then walks obliviously home as the hole follows through the sky and ends up back in its original position on the apartment wall. Though the hole may take a moment to spot in some scenes, it is too small to have any significant visual impact. Nor, in contrast to the one in Hervé Tullet’s The Book with a Hole (2011) and other similarly pierced titles, is it placed or decorated in ways that will spark imaginative play or lead viewers to fresh considerations of their own surroundings.
A one-trick pony—and the trick’s not all that great. (Picture book. 4-6)Pub Date: Sept. 21, 2013
ISBN: 978-1-59270-143-8
Page Count: 64
Publisher: Enchanted Lion Books
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Øyvind Torseter ; illustrated by Øyvind Torseter ; translated by Kari Dickson
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by Håkon Øvreås ; illustrated by Øyvind Torseter ; translated by Kari Dickson
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by Inger Marie Kjølstadmyr ; illustrated by Øyvind Torseter ; translated by Kari Dickson
by Peter H. Reynolds & illustrated by Peter H. Reynolds ‧ RELEASE DATE: Aug. 28, 2012
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by Susan Verde ; illustrated by Peter H. Reynolds
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by Marc Colagiovanni ; illustrated by Peter H. Reynolds
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by Peter H. Reynolds & Henry Rocket Reynolds ; illustrated by Peter H. Reynolds
by Karen Jameson ; illustrated by Marc Boutavant ‧ RELEASE DATE: Oct. 27, 2020
Sweet fare for bed- or naptimes, with a light frosting of natural history.
A sonorous, soporific invitation to join woodland creatures in bedding down for the night.
As in her Moon Babies, illustrated by Amy Hevron (2019), Jameson displays a rare gift for harmonious language and rhyme. She leads off with a bear: “Come home, Big Paws. / Berry picker / Honey trickster / Shadows deepen in the glen. / Lumber back inside your den.” Continuing in the same pattern, she urges a moose (“Velvet Nose”), a deer (“Tiny Hooves”), and a succession of ever smaller creatures to find their nooks and nests as twilight deepens in Boutavant’s woodsy, autumnal scenes and snow begins to drift down. Through each of those scenes quietly walks an alert White child (accompanied by an unusually self-controlled pooch), peering through branches or over rocks at the animals in the foregrounds and sketching them in a notebook. The observer’s turn comes round at last, as a bearded parent beckons: “This way, Small Boots. / Brave trailblazer / Bright stargazer / Cabin’s toasty. Blanket’s soft. / Snuggle deep in sleeping loft.” The animals go unnamed, leaving it to younger listeners to identify each one from the pictures…if they can do so before the verses’ murmurous tempo closes their eyes.
Sweet fare for bed- or naptimes, with a light frosting of natural history. (Picture book. 4-6)Pub Date: Oct. 27, 2020
ISBN: 978-1-4521-7063-3
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Karen Jameson ; illustrated by Lorna Scobie
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by Karen Jameson ; illustrated by Dave Murray
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by Karen Jameson ; illustrated by Wednesday Kirwan
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