RED GIFTS IN THE GARDEN OF STONES

Swanborough presents a novel about four generations of Welsh women under one roof, in which unsettling truths are never far away and ghosts are as common as cats.

In a small town in southern Wales, a house known as Ty Merched (“The Women’s House”) provides a home for elderly Lizzie Coombe; her daughter, Myfanwy; her 30-something granddaughter, Sarah Maud, who “needs both her names to hold her up” as she “knows life as a string of shattered nights and unendurable days”; and her great-granddaughter, Jenner. Lizzie is held in high respect by the others, although it’s accompanied by no small amount of rancor and fear. The book opens on her 100th birthday, when she’s still a lively force, and it tells a story of relationships, both among the four women and between them and the gossipy townsfolk. There are familiar character types, including fussy old men and women; a repressed, pompous vicar named Twdr Morgan; and DS Watcyns, an oafish, lazy, and dangerous constable. Mysteries abound, none deeper than who murdered a stranger found in the garden at Ty Merched. The victim is never identified, but Watcyns gets it into his head that the sensitive Jenner, who’s merely 10 years old,committed the crime. A series of events culminates in a mysterious fire that proves cleansing in a way that readers will find strange yet beautiful. It’s an impressive tale, and Swanborough is a talented, lyrical writer whose style reminds one of the works of Dylan Thomas. The setting of her novel is the Wales of the ancients, spirits, and sprites, and Ty Merched is similarly haunted—a circumstance that everyone sees as natural as the weather. (Even the furniture muses silently with one another.) Similarly, there’s a quiet, ghostly interiority to the storytelling at times, and metaphor rules: Jenner is “a child-bride of misfortune, a virgin sacrifice to the knives of rumour”; Myfanwy, always troubled, “walks the lane like she’s stepping on expired obligations.”

A debut that will enchant readers with its poetic prose and haunted realism.