by Pablo D’Stair ‧ RELEASE DATE: May 19, 2023
A bold, largely plotless, and beautifully insightful tale about a poet.
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A novel charts a young female writer’s struggles with life and language.
In the opening of this first installment of a trilogy, Lucy Jinx works at Hernando’s Highlights, a magazine produced by the fictional store chain Hernando’s Grocery. Her office is in a trailer and her co-worker Ariel, who has a more “standard life” than Lucy, is also significantly more diligent. Lucy is partial to wandering into work after 11 a.m. and is candid about plagiarizing in her pieces. While Lucy writes film reviews and manages the “Open Submissions to Poetry Corner mailbox,” her true passion is writing poems herself. The novel has very little plot—Lucy quarrels with Ariel, gets asked to babysit for her landlord, ponders the idea of moving in with an admirer called Katrin, and procrastinates about opening an important letter. On other occasions, Lucy is preoccupied with everyday decisions, such as which panties to wear. As the story progresses, Lucy’s life seems to slip by in a blur of unremarkable events and awkward social interactions. But written steadfastly from Lucy’s point of view, D’Stair’s book allows readers to gain an intimate understanding of the hero’s poetic gaze, which sees beyond the seemingly banal surface behavior of others with artistic intentions. As Lucy moves through her world, the author notes, her mind is “already upstairs scribbling.” This is a tale about a poet’s inner life and, perhaps more accurately, her magpie mind constantly procuring imagery from the outside world to embellish her writing.
Lucy moves through what many would dismiss as an uninspiringly humdrum environment. But her unique rereading of her surroundings is what makes this novel so delightful, as when she visits Katrin’s apartment: “Lucy remarks to herself how sprawlingly long and thin Katrin’s place is, like a sideways-tipped cereal box the size of a house—and is at least twice as large.” Lucy’s endearing observations are marked by an almost childlike curiosity and sense of wonder. D’Stair’s use of language is consistently striking, lyrical, and imbued with a similarly playful energy: “This place. This place where Lucy Jinx is. This whole area. It’s untenable. It’s cumbersomed up, gone bulbous-labyrinthine. Regardless of trying to choose a hidey-hole, the place’ll get its fat fingers ’round yer throat and throttle you, girl!” At moments like these, readers will feel as if they are inside Lucy’s mind, listening to her dictate the narrative of her own life as it happens. There are also intriguing moments when Lucy attempts a poetic description but then revises it: “The car is like the sour in the gut from too much wine with a head cold. Try again: The car is like the sour in the gut from too much apple juice and cigarettes.” This is a clever take on the creative process and a poet’s obsessive necessity to shape and reshape words to best capture a subject. This makes for a densely reflexive, intentionally staccato narrative, which will not appeal to everyone and is best enjoyed in short sittings. The fact that very little happens in the book will deter some, but those who persevere will enjoy a cleverly conceived, smartly observant story that delves intriguingly into how a poet thinks.
A bold, largely plotless, and beautifully insightful tale about a poet.Pub Date: May 19, 2023
ISBN: N/A
Page Count: 474
Publisher: Late Marriage Press
Review Posted Online: July 31, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
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by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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New York Times Bestseller
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by V.E. Schwab ; illustrated by Manuel Šumberac
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PERSPECTIVES
PERSPECTIVES
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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