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LUCY JINX

BOOK ONE

A bold, largely plotless, and beautifully insightful tale about a poet.

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A novel charts a young female writer’s struggles with life and language.

In the opening of this first installment of a trilogy, Lucy Jinx works at Hernando’s Highlights, a magazine produced by the fictional store chain Hernando’s Grocery. Her office is in a trailer and her co-worker Ariel, who has a more “standard life” than Lucy, is also significantly more diligent. Lucy is partial to wandering into work after 11 a.m. and is candid about plagiarizing in her pieces. While Lucy writes film reviews and manages the “Open Submissions to Poetry Corner mailbox,” her true passion is writing poems herself. The novel has very little plot—Lucy quarrels with Ariel, gets asked to babysit for her landlord, ponders the idea of moving in with an admirer called Katrin, and procrastinates about opening an important letter. On other occasions, Lucy is preoccupied with everyday decisions, such as which panties to wear. As the story progresses, Lucy’s life seems to slip by in a blur of unremarkable events and awkward social interactions. But written steadfastly from Lucy’s point of view, D’Stair’s book allows readers to gain an intimate understanding of the hero’s poetic gaze, which sees beyond the seemingly banal surface behavior of others with artistic intentions. As Lucy moves through her world, the author notes, her mind is “already upstairs scribbling.” This is a tale about a poet’s inner life and, perhaps more accurately, her magpie mind constantly procuring imagery from the outside world to embellish her writing.

Lucy moves through what many would dismiss as an uninspiringly humdrum environment. But her unique rereading of her surroundings is what makes this novel so delightful, as when she visits Katrin’s apartment: “Lucy remarks to herself how sprawlingly long and thin Katrin’s place is, like a sideways-tipped cereal box the size of a house—and is at least twice as large.” Lucy’s endearing observations are marked by an almost childlike curiosity and sense of wonder. D’Stair’s use of language is consistently striking, lyrical, and imbued with a similarly playful energy: “This place. This place where Lucy Jinx is. This whole area. It’s untenable. It’s cumbersomed up, gone bulbous-labyrinthine. Regardless of trying to choose a hidey-hole, the place’ll get its fat fingers ’round yer throat and throttle you, girl!” At moments like these, readers will feel as if they are inside Lucy’s mind, listening to her dictate the narrative of her own life as it happens. There are also intriguing moments when Lucy attempts a poetic description but then revises it: “The car is like the sour in the gut from too much wine with a head cold. Try again: The car is like the sour in the gut from too much apple juice and cigarettes.” This is a clever take on the creative process and a poet’s obsessive necessity to shape and reshape words to best capture a subject. This makes for a densely reflexive, intentionally staccato narrative, which will not appeal to everyone and is best enjoyed in short sittings. The fact that very little happens in the book will deter some, but those who persevere will enjoy a cleverly conceived, smartly observant story that delves intriguingly into how a poet thinks.

A bold, largely plotless, and beautifully insightful tale about a poet.

Pub Date: May 19, 2023

ISBN: N/A

Page Count: 474

Publisher: Late Marriage Press

Review Posted Online: July 31, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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  • New York Times Bestseller

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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