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LUCY JINX

BOOK ONE

A bold, largely plotless, and beautifully insightful tale about a poet.

Awards & Accolades

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  • Our Verdict
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A novel charts a young female writer’s struggles with life and language.

In the opening of this first installment of a trilogy, Lucy Jinx works at Hernando’s Highlights, a magazine produced by the fictional store chain Hernando’s Grocery. Her office is in a trailer and her co-worker Ariel, who has a more “standard life” than Lucy, is also significantly more diligent. Lucy is partial to wandering into work after 11 a.m. and is candid about plagiarizing in her pieces. While Lucy writes film reviews and manages the “Open Submissions to Poetry Corner mailbox,” her true passion is writing poems herself. The novel has very little plot—Lucy quarrels with Ariel, gets asked to babysit for her landlord, ponders the idea of moving in with an admirer called Katrin, and procrastinates about opening an important letter. On other occasions, Lucy is preoccupied with everyday decisions, such as which panties to wear. As the story progresses, Lucy’s life seems to slip by in a blur of unremarkable events and awkward social interactions. But written steadfastly from Lucy’s point of view, D’Stair’s book allows readers to gain an intimate understanding of the hero’s poetic gaze, which sees beyond the seemingly banal surface behavior of others with artistic intentions. As Lucy moves through her world, the author notes, her mind is “already upstairs scribbling.” This is a tale about a poet’s inner life and, perhaps more accurately, her magpie mind constantly procuring imagery from the outside world to embellish her writing.

Lucy moves through what many would dismiss as an uninspiringly humdrum environment. But her unique rereading of her surroundings is what makes this novel so delightful, as when she visits Katrin’s apartment: “Lucy remarks to herself how sprawlingly long and thin Katrin’s place is, like a sideways-tipped cereal box the size of a house—and is at least twice as large.” Lucy’s endearing observations are marked by an almost childlike curiosity and sense of wonder. D’Stair’s use of language is consistently striking, lyrical, and imbued with a similarly playful energy: “This place. This place where Lucy Jinx is. This whole area. It’s untenable. It’s cumbersomed up, gone bulbous-labyrinthine. Regardless of trying to choose a hidey-hole, the place’ll get its fat fingers ’round yer throat and throttle you, girl!” At moments like these, readers will feel as if they are inside Lucy’s mind, listening to her dictate the narrative of her own life as it happens. There are also intriguing moments when Lucy attempts a poetic description but then revises it: “The car is like the sour in the gut from too much wine with a head cold. Try again: The car is like the sour in the gut from too much apple juice and cigarettes.” This is a clever take on the creative process and a poet’s obsessive necessity to shape and reshape words to best capture a subject. This makes for a densely reflexive, intentionally staccato narrative, which will not appeal to everyone and is best enjoyed in short sittings. The fact that very little happens in the book will deter some, but those who persevere will enjoy a cleverly conceived, smartly observant story that delves intriguingly into how a poet thinks.

A bold, largely plotless, and beautifully insightful tale about a poet.

Pub Date: May 19, 2023

ISBN: N/A

Page Count: 474

Publisher: Late Marriage Press

Review Posted Online: July 31, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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