A gorgeous work that stretches the imagination and delights the senses.
Selections from Neruda’s final work come magically to life with inventive illustrations in this bilingual volume.
Completed shortly before his death in 1973, the original collection of 74 poems posing 320 questions has here been whittled down to 70 questions selected from 39 poems appearing both in English and the original Spanish. Readers will be enchanted by their mind-expanding whimsy and creativity. Chilean artist Valdivia’s stylized artwork, executed predominantly in blues, reds, and yellows against black or white backgrounds, feels grounded in folk-art traditions. Created with pencil and ink, with photographs in the illustrator’s note showing the work in progress, the full-page art is visually captivating and enhanced with texture—lines, splatters, blotting—both complementing and extending the text. “Does the earth chirp like a cricket / in the symphony of the skies? // Who shouted for joy / when the color blue was born?” is accompanied by a charcoal cricket standing against a dizzying swoop of blue expanse and the curve of rising mountains and vegetation. “Where can you find a bell / that rings inside your dreams? // Where does the stuff of dreams go? / Does it pass into the dreams of others?” is juxtaposed with an image of a rider, asleep beneath a blanket, astride a pregnant mare. Exquisite endpapers pay tribute to the universe contained within: “Where did the full moon forget / her flour-dusted nightgown?”
A gorgeous work that stretches the imagination and delights the senses. (editor’s note, translator’s note) (Illustrated poetry. 5-adult)Pub Date: April 26, 2022
ISBN: 978-1-59270-322-7
Page Count: 80
Publisher: Enchanted Lion Books
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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