A gorgeous work that stretches the imagination and delights the senses.
Selections from Neruda’s final work come magically to life with inventive illustrations in this bilingual volume.
Completed shortly before his death in 1973, the original collection of 74 poems posing 320 questions has here been whittled down to 70 questions selected from 39 poems appearing both in English and the original Spanish. Readers will be enchanted by their mind-expanding whimsy and creativity. Chilean artist Valdivia’s stylized artwork, executed predominantly in blues, reds, and yellows against black or white backgrounds, feels grounded in folk-art traditions. Created with pencil and ink, with photographs in the illustrator’s note showing the work in progress, the full-page art is visually captivating and enhanced with texture—lines, splatters, blotting—both complementing and extending the text. “Does the earth chirp like a cricket / in the symphony of the skies? // Who shouted for joy / when the color blue was born?” is accompanied by a charcoal cricket standing against a dizzying swoop of blue expanse and the curve of rising mountains and vegetation. “Where can you find a bell / that rings inside your dreams? // Where does the stuff of dreams go? / Does it pass into the dreams of others?” is juxtaposed with an image of a rider, asleep beneath a blanket, astride a pregnant mare. Exquisite endpapers pay tribute to the universe contained within: “Where did the full moon forget / her flour-dusted nightgown?”
A gorgeous work that stretches the imagination and delights the senses. (editor’s note, translator’s note) (Illustrated poetry. 5-adult)Pub Date: April 26, 2022
ISBN: 978-1-59270-322-7
Page Count: 80
Publisher: Enchanted Lion Books
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
PROFILES
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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