This first collection by the author of Edisto and A Woman Named Drown is an odd and arresting mix of full-length stories and lots of little pieces—none of them conventional by any means, and all of them typical of Powell's goofy, southern-inflected lust for language. Powell's snippets include a number of fractured profiles of strange people and places gone weird. There are: ``Dr. Ordinary'' and his litany of the things he finds odious; ``General Rancidity,'' hated all over his military base because ``only the truly rancid themselves could run with him''; ``Mr. Nefarious,'' who smiles about his girlfriend and a fancy outdoor bench; ``Mr. Desultory,'' who gives in to regression because he cannot do things in succession; and ``Miss Resignation,'' who loses at Bingo so much she decides to smoke the cards. Powell clearly agrees with the notion voiced here that ``character is nothing but warts.'' Place fares poorly too: ``Kansas'' is defined by the absence of farming; ``Texas'' is a list of things done and some know-nothing aphorisms; ``South Carolina'' finds the pickup-driving narrator molesting a belle at a fancy cotillion; and ``Florida'' is a drunk lament about what used to be. In Powell's mordant and absurd world, you watch a flood (``Flood'') and a body floats into your arms; you work as a roofer and your buddy decapitates himself in a fall on the job (``Wayne's Fate''); you ramble and drink in the woods, and someone offers perversion (``Proposition''). Faulknerian style and subject come in for some direct ribbing. ``Wait'' sidetracks a rococo turn about a bulldog and a corncob with some plain talk; and ``Lebove and Son,'' a postscript to The Hamlet, considers the consequences of literary revelation. Not quite so academic, but metafictional in their own bizarre way, are ``Mr. Irony,'' a tale of ``low-affect living edged with self-deprecating irony''; and ``Mr. Irony Renounces Irony,'' the confessions of a style abuser. The much- reprinted title story is the narrative of a true underground man, an admitted ``piece of crud'' and unemployed steelworker who thinks he's just ``Typical.'' Lyrically intense and full of the surreal juxtapositions you find in the flotsam of floodwaters: stories at once edgy and exuberant.
Pub Date: July 1, 1991
ISBN: 0-374-28022-3
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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