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THE MONSTERS OF ROOKHAVEN

A dreamy, imaginative premise gives way to pensive catharsis.

Stranded runaways end up at a house where a family of monsters live.

Mirabelle has always lived at the House of Rookhaven, a magical place with passages from another world. When the Glamour that protects the house and its inhuman residents falls, orphaned siblings Tom and Jem arrive in need of help. Mirabelle, a misfit among misfits, champions helping the two and quickly befriends Jem. Beauty is found through the horror, from carnivorous flowers to a beautiful lady who transforms into a swarm of spiders and other gothic monsters in residence. The mood is set through exquisite black-and-white illustrations, featuring both silhouettes and delicate linework, and through the collective fog of grief—the story is set in England shortly after World War II. Mystery comes in the form of the oldest member of the Rookhaven family—Piglet, declared dangerous and locked away but who knows that change is coming; it’s only a matter of time until Piglet is freed. Themes of grief, empathy, and the nature of monsters play out as danger arrives from an unexpected source. While the ending concludes the imminent dangers and storylines, enough mysteries remain for the fictional world to be revisited. Third-person viewpoints shift among Mirabelle, Jem, a boy from Rookhaven village named Freddie, and occasionally Piglet. Characters default to White.

A dreamy, imaginative premise gives way to pensive catharsis. (Fantasy. 8-14)

Pub Date: Sept. 21, 2021

ISBN: 978-1-250-62394-2

Page Count: 336

Publisher: Henry Holt

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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