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FRIEND by Paek Nam-nyong

FRIEND

by Paek Nam-nyong ; translated by Immanuel Kim

Pub Date: April 28th, 2020
ISBN: 978-0-231-19560-7
Publisher: Columbia Univ.

A renowned North Korean novelist writes about marriage, family, and responsibility.

Now a best-selling author, Paek (b. 1949) began his working life in a steel factory. Reading and writing in his spare time, he enrolled in college, taking mostly long-distance courses, and, in 1976, graduated with a degree in Korean literature. To contribute to the Three Revolutions campaign that urged citizens to enhance their understanding of political ideology, technical skills, and culture, Paek chose a career in writing, soon attaining national popularity. Published in 1988, this novel, deftly translated and with an informative afterword by Kim (Rewriting Revolution: Women, Sexuality, and Memory in North Korean Fiction, 2018), is set during a period of social and cultural transition, “the Hidden Hero campaign of the 1980s, which sought to recognize the extraordinary achievements of otherwise ordinary citizens” as well as continuing to promote self-improvement through education. To highlight the tensions involved in changing times, Paek focuses on a divorce: a couple seeking to dissolve their marriage and a judge who must decide on their case after a thorough investigation. The judge’s examination of the wife, Sun Hee, a popular and esteemed singer, and the husband, Seok Chun, a lathe worker in a factory, reveals intricate relationships between individuals and the collective. Sun Hee and Seok Chun are driven apart by conflicting perceptions of their roles in society: Sun Hee developed her talents and was rewarded; but Seok Chun, despite his wife’s goading, refused “to fulfill his true national duty—the duty to progress and advance in his social position.” Merely being a devoted worker is no longer enough: “Life’s true meaning is swimming upstream.” In a society that “is actively progressing toward becoming intellectualized in scientific technology and the arts,” marriage and family are at risk by individuals who refuse to move forward. Paek weaves themes of greed, corruption, and self-sacrifice into a subtle, restrained narrative that becomes nothing less than a paean to the family: society’s most valued unit, “where the love of humanity dwells.”

A rare glimpse into an insular world.