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ONLY LOVE CAN HURT LIKE THIS

A weak romance but an interesting family drama.

After a heartbreak, a woman visits family in Indiana to reevaluate her life and maybe even find new love.

Wren’s fiance has fallen in love with someone else and breaks up with her mere months before the wedding. Their English village, once quaint and comfortable, is now much too small for the both of them. On her mother’s suggestion, Wren decides to fly out and spend the summer with her father, stepmother, and newly married half sister on their Indiana farm. Things are slightly tense, as Wren has never been completely at ease with her father since he left her and her mother for this new family when she was young, but maybe time together will begin to strengthen a weak connection. She also keeps running into Anders, the younger son of the farm next door, who’s visiting from Indianapolis and still reeling from losing his wife four years earlier. The two are drawn to each other despite both of their hesitations, but a secret Anders is keeping threatens their newfound affection. Toon has constructed a very cozy, lived-in world of Indiana farms that's comforting both for Wren and the reader. The tangled web of relations in Wren’s family and her journey to begin to heal some of the wounds of her childhood are the strongest parts of the novel, messy but real. Wren and Anders’ relationship is a bit rushed; it feels more superficial when juxtaposed against Wren’s complicated, realistic family relationships. Some plot threads go nowhere, and others appear out of thin air. Anders’ big secret doesn’t come into the story until two-thirds of the way through, complicating things but without much time for characters to explore or truly reflect on it.

A weak romance but an interesting family drama.

Pub Date: April 25, 2023

ISBN: 9780593544334

Page Count: 400

Publisher: Putnam

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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