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WAKING THE WITCH

REFLECTIONS ON WOMEN, MAGIC, AND POWER

An odd, uneven mix of history, cultural criticism, and memoir.

Assorted musings from a modern witch.

Witches are having a moment, and Grossman has played no small role in making this happen. A practicing witch herself, she is the founder of the Occult Humanities Conference at NYU, and she has been published in a variety of publications. Her personal Instagram account has 8,000 followers, and the account for her podcast, The Witch Wave, has nearly 14,000. One might expect her book to be an accessible guide to witchcraft and its most recent renaissance. It is not that, and, indeed, it’s difficult to say what this book is or for whom it was written. The chapter called “Body Monsters” includes some intriguing observations about women and motherhood. However, in trying to establish a connection between historic and modern ideas about female sexuality and reproductive rights, Grossman includes much more detail about contemporary politics than is necessary to make her point. The extended exploration of witch-inspired fashion also feels like a bad fit for this section. The author’s treatment of witches in recent pop culture is especially frustrating. It reads as if Grossman is unaware of the incredible wealth of material—from the scholarly essays to fan sites—devoted to subjects like Sabrina Spellman and Buffy the Vampire Slayer’s Willow Rosenberg. An author writing for a general audience can be forgiven for not taking a deep dive into the academic literature, but Grossman doesn’t offer any insight into these characters that wouldn’t be obvious to a casual viewer. Overall, the text feels more like notes toward a full-length study than a finished product, and the long passages of autobiographical material reinforce this sense. Most readers will come away from the book with an understanding of why it is so appealing to Grossman but little else.

An odd, uneven mix of history, cultural criticism, and memoir.

Pub Date: June 4, 2019

ISBN: 978-1-982100-70-4

Page Count: 288

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: March 23, 2019

Kirkus Reviews Issue: April 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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