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FADING FAME

WOMEN OF A CERTAIN AGE IN HOLLYWOOD

A thought-provoking, well-crafted collection of Hollywood survival stories.

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Munter probes the lives of Hollywood women after the lights have gone down in this debut collection of fiction and drama.

Hollywood has always been a fraught place for women, no matter how famous they are…or were. In these stories, which often feature the fictionalized lives of real women from Hollywood’s history, Munter examines the less glamorous half of things—i.e., the part that happens after the age of 40. In “Frances,” the successful screenwriter Frances Marion sees her old friend and collaborator Mary Pickford for the first time in years. Frances has found success (and frustration) in her career, but Mary has completely fallen apart. “Deconstructing Doris” stars Doris Day, who realizes that her late husband—the man she thought had saved her and her career—had actually stolen from her for years and left her deeply in debt. “Ethel” follows Ethel Barrymore. Her 60-year career may finally be winding down to its final scene. It just so happens that the scene is opposite Frank Sinatra, however, and Ethel plans to give it all she’s got…especially since she’s already given her whole life to show business. Other stories feature fully fictional characters, like “Madelyn, Mostly,” in which a celebrated singer goes to a therapist after the wrong lyrics keep intruding into her songs. Have years of unaddressed trauma finally found a way to come out? After the stories are two comedies for the stage. “Life Without” is a two-act play about two middle-aged couples; each features one partner who still dreams of making it in the theater. When a flooded apartment forces the foursome to temporarily bunk together, the tensions may be the end of both relationships…or provide just the solution everyone is looking for. The one-act “Janet Drake, Private Eye” follows two aging actors. Each played the eponymous detective—one in the radio series, one in the television series—and each hopes to reprise her role in a new film adaptation.

Munter writes purposefully about the systemic misogyny that has dominated Hollywood throughout its history, from predatory producers on casting couches to women being considered too old before they were out of their 30s. A common theme is the exploitation perpetrated by the various husbands who only continue the damage started by other men. “There must be a reason she had gone through four husbands,” reflects Frances Marion on her drive to Mary Pickford’s house, “each impotent in his own way—perverse, inept, clumsy or drunk. She wasn’t sure what it was but now and again, inklings of other possibilities caused her too much discomfort to pursue the thoughts any further.” The stories are rarely knockouts, but the prose is always sharp, and the book proves to be more than the sum of its parts. There is something energizing about watching Munter attack the same subject from different angles, filing one story after another like pieces of evidence in a decadeslong argument detailing exhausting exploitation, humiliation, and hardship. Hollywood is a place where dreams crash upon the shores of reality, but as the experiences of these women—real and fictional—show, life doesn’t end with the crash.

A thought-provoking, well-crafted collection of Hollywood survival stories.

Pub Date: N/A

ISBN: 978-1-954351-76-9

Page Count: -

Publisher: Manuscript

Review Posted Online: Feb. 23, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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