The action is often sluggish and nearly always weightless in this transparently plotted, melodramatic novel about the European conquest of the Carolina coastline, from the author of Bayou (1991), Columbia (1986), and Sea Star (1983). Our story starts in 1587 with the landing of a new British colony on Roanoke Island, just before the birth of Virginia Dare. Then Dare and the rest of the colonists disappear. Next we meet Leah Hancock and her daughters, solemn Tess and charismatic Glory, in a tobacco-raising settlement in 1711. Indian warriors kill Leah's husband and badly wound her, but Leah and the girls escape to a colony of Scottish lumberjacks in Cape Fear. Leah marries the ship captain who brought them there. They all live relatively peacefully until Leah dies of smallpox and the captain fobs Tess and Glory off onto a dashing pirate. Tess marries him, Glory goes to live with them, and the sisters run the household and raise Tess' three children together. Then Glory gets pregnant and dies in childbirth and Tess is left to raise her niece, Della. Della grows up to be a femme fatale and marries Philip Gage, owner of a neighboring plantation called Deepwater. Their marriage is troubled from the start: Philip, who is loyal to the King in the brewing battle for independence from England, is always away for political meetings, while Della and her obsequious slave abet his rebel enemies. Della and Philip take in his daughter by another woman who comes, goes, marries young, and sends her infant daughter, Laurel, to be raised by Della after Philip's death. Laurel inherits Deepwater and marries a Quaker, with whom she helps slaves escape through the underground railroad and raises three children. After the Civil War, newly freed blacks claim part of Deepwater, a school for black children is established, and a schoolteacher arrives from up North. Laurel has an affair with the teacher, but it eventually peters out, as does the rest of the story. The lackluster narrative—a patchwork of animal vignettes and italicized history that the author didn't manage to weave into the story—never quite comes to life.
Pub Date: March 1, 1994
ISBN: 0-8217-4485-2
Page Count: 496
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1994
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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