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A CANDLE FOR MY MOTHER

A DAUGHTER'S JOURNEY TOWARD GRATITUDE INSPIRED BY THE STORIES OF LORRAINE E. NEWTON

An articulate, buoyant, and often humorous account involving family life and globe-trotting adventures.

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In this debut memoir, an author combines the recorded recollections of her mother with her own travel experiences while developing promotions for DreamWorks Animation.

Newton’s father, Don, was an oil driller. In 1956, he worked for the Iraq Petroleum Company, a consortium of major oil concerns from the Netherlands, France, Britain, and the United States. He was stationed in a huge base camp located outside Kirkuk in the northeastern corner of Iraq. In late December of that year, his wife, Lorraine, and their four young daughters left their home in Lakewood, California, and joined him in Iraq, where they remained until February 1962. Despite the unrest that swirled around the Middle East, the Newton family was beginning a great odyssey. Every two years, Don was entitled to a four-week home leave, which presented an opportunity for the family to enjoy some European exploration on the way back to California. Of the four girls, Newton spent the longest time in Iraq. Her older sisters were eventually placed in boarding schools in England. For Lorraine, these five-plus years were the experience of a lifetime; for Newton, who was only 3 years old when the family relocated to Iraq, they set the stage for a future filled with worldwide travel. Except for some introductory material, each chapter of the memoir begins with transcripts of Lorraine’s recordings, followed by specific and engaging anecdotes from the author’s personal journeys that trigger memories of her mother and childhood. The occasionally repetitive chapters end with Newton finding a church or sometimes a beach, where she lights a candle in gratitude to her mother for giving her different gifts that have helped her navigate her life: “I thanked her for teaching me to see people as good and kind, for indeed most are.” Certainly, the most intriguing sections of the joyful book are those detailing the Newton’s singular lives within a protected, multinational enclave in the Iraqi desert, and the behind-the-scenes glimpses into the DreamWorks retail promotional endeavors.

An articulate, buoyant, and often humorous account involving family life and globe-trotting adventures.

Pub Date: April 27, 2018

ISBN: 978-1-73217-321-7

Page Count: 272

Publisher: 4 Ridge Road Company, LLC

Review Posted Online: Aug. 29, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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