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MIDNIGHT IN BROAD DAYLIGHT

A JAPANESE AMERICAN FAMILY CAUGHT BETWEEN TWO WORLDS

A beautifully rendered work wrought with enormous care and sense of compassionate dignity.

An intimately detailed look at the agony of a Japanese-American family struggling to maintain American loyalty amid discrimination and war.

Historian and teacher Sakamoto weaves a richly textured narrative history of the Fukuhara family, who moved from Hiroshima to Auburn, Washington, in 1926. However, financial issues after the death of the father forced them to move back in 1933. Somewhat typically at the time, the family was made up of the first-generation immigrants—businessman Katsuji and homemaker Kinu—and their five American-born children. The two eldest, Mary and Victor, were sent back to Hiroshima to help their aunt in her lucrative candy-making business, then subsequently returned to the U.S. as teenagers, culturally confused kibei whose English had been mostly forgotten. Harry, the spirited middle son and the one most thoroughly Americanized, was not happy about the move back to Japan, though his five-year stay allowed him the language immersion that would be invaluable during World War II, when, interned with his sister Mary at the Gila River Relocation Center, Arizona, in the fall of 1942, he was plucked by the Army for intelligence translation in the Pacific theater. The Japanese-speaking author offers fascinating research into the lives of these conflicted immigrants. At the time, Japanese-American youth who served in the Japanese army automatically relinquished their American citizenship, which Harry, by moving back to the U.S. at age 18, refused to do, unlike his other brothers. The specter of the atomic bomb hovers ominously over the narrative, and while most of the Hiroshima family managed to survive, the physical and psychological scarring were gruesome and lasting. American soldier Harry’s resolution to return to Japan in October 1945 to find his family forms a poignant closure to this remarkable tale.

A beautifully rendered work wrought with enormous care and sense of compassionate dignity.

Pub Date: Jan. 5, 2016

ISBN: 978-0-06-235193-7

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 22, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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