by Panayotis Cacoyannis ‧ RELEASE DATE: Feb. 10, 2025
A well-balanced drama about memorable lovers and their uncomfortable secrets.
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Cacoyannis offers a literary novel about love and infidelity in London.
Harry Wood is an English painter with a secret. Every Wednesday, he meets a woman he knows only as Lina at a hotel in Paddington in central London; the two have sex and have no interest in a relationship of any sort. What complicates matters is the fact that Harry is married to Max Steffe, the man who helped launch his successful career as an artist. Max comes from a wealthy family and is known for “wielding influence and enormous power over practically anyone and everyone who wanted to be someone in the Arts.” Harry loves Max, but it hasn’t stopped him from secretly carrying on his weekly affair for almost two years. One of Harry’s most popular paintings is of an unhoused man he knows who calls himself Gregor Horak and has an affinity for the work of Franz Kafka; Harry and Max help to get Gregor back on his feet and to achieve his dream of becoming a famous writer. They also help a friend of Gregor’s, a budding artist who goes by the name Slimboy. Things take a turn, though, when Harry gets jury duty for a murder trial. By chance, Lina is assigned to the same jury, and Harry learns from another juror, musician Jefferson Stone, that Lina is a famous documentary filmmaker. A guilty Harry stops seeing Lina, but he wonders how to break the news of the past affair to Max; to make matters even more complex, he also finds himself starting to have feelings for Jefferson. However, it soon becomes clear that his relationship with Lina may not end as easily as he thought.
Cacoyannis’ narrative focuses on Harry, who narrates the tale as he navigates the strange circumstances in which he finds himself. The story is most compelling when he discovers new facts that throw his assumptions into disarray—such as when he finds out new information from a clerk at the hotel where he has his trysts with Lina, or when it becomes clear that the first time Harry met Lina may not have been an accident. Although the novel has a fairly large cast of characters, the author effectively distinguishes each of them with small details, such as Jefferson’s hand tattoos or Lina’s penchant for the novel Lolita. However, for a narrative that involves so much deception, the novel has a tendency to repeat things that readers already know. For example, when Harry and Lina set up their first rendezvous, she explains that “There’s this hotel I know. Out of the way. Very discreet. I could meet you there next Wednesday afternoon if you like”—although, by this point in the story, readers already have intimate knowledge of every detail of the Wednesday schedule. Nonetheless, readers will find themselves slowly becoming invested in what will happen to these disparate people—who, after all, will wind up with who? Such questions keep the story alive and moving, all the way to its conclusion.
A well-balanced drama about memorable lovers and their uncomfortable secrets.Pub Date: Feb. 10, 2025
ISBN: 9798306638409
Page Count: 256
Publisher: Self
Review Posted Online: Jan. 14, 2025
Review Program: Kirkus Indie
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by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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New York Times Bestseller
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by V.E. Schwab ; illustrated by Manuel Šumberac
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PERSPECTIVES
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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