There’s little joy to be found in this tale of a doomed family, flavored with myth and fairy tale, yet the poetic narration...
Reminiscing in her Los Angeles garden, an elderly woman pieces together the tragedy of her ancestors’ Iranian Jewish household, in which the actions of two brothers “who would sacrifice anything for one another” result in sorrow for three wives.
Foroutan’s lyrical debut offers a mosaic of stories evoking life within a wealthy Jewish home in Kermanshah, Iran, in earlier times. Although Asher Malacouti has spun the money inherited from his father into a fortune, his success has only made his desperation for a son and heir all the more urgent. This is a world of deeply traditional roles, where a wife’s security depends on her fertility, so as time passes and Asher’s young wife, Rakhel, fails to conceive, tensions rise. Rakhel is forced to accept Asher’s decision to take a second wife, Kokab, but it drives her into a terrible suicidal episode. Then Kokab—divorced by her first husband and forcibly separated from her daughter—fails to conceive, too. Through the ghostly voices of this unhappy home, with brothers Asher and Ibrahim at its center and the womenfolk circling them like satellites, the disastrous history is slowly reassembled. The repository of these stories is Mahboubeh Malacouti, Ibrahim’s daughter, who left Iran in 1977 but who has memories of Rakhel, a harsh, vindictive woman, although none at all of her own mother. All Mahboubeh knows is what Ibrahim told her, that her mother “died from the complications of womanhood.” Deftly structured, this novel traces those complications to their core, exposing the pain, oppressive forces, and difficult allegiances within and without the estate, while lending grace through the delicacy of its observation.
There’s little joy to be found in this tale of a doomed family, flavored with myth and fairy tale, yet the poetic narration overlays the suffering with surprising beauty.Pub Date: Aug. 18, 2015
ISBN: 978-0-06-238838-4
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: June 3, 2015
Kirkus Reviews Issue: June 15, 2015
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PERSPECTIVES
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