A spirited Hollywood mystery that has its moments.
An aspiring Hollywood starlet struggles to launch her career while a serial killer stalks young actresses in this novel.
Ariel Ames has just arrived in Hollywood to pursue her dream of becoming an actress. At first, things don’t look so great. She has no agent or connections; she’s living with an obnoxious, sex-crazed roommate; and a serial murderer called the Angel Killer is slaughtering young redheads in outlandish, dramatic ways. Ariel, a redhead, signs up for self-defense classes yet also lands a job dancing at a bikini bar under the stage name Scarlet. Her workplace is called Misty’s Menagerie of Misfits, Marvels, and Maladjusts, and is something of a local institution. Soon after she begins, she attracts the attention of a talent agent while a coffee shop encounter lands her a date with an actor named Nate Harris. As the Angel Killer continues to terrorize the city, he broadcasts a message to inform the world that he is murdering people to absolve them of their sins. “What I do, I do out of mercy, not malice. I kill because I care,” he says. Special Agent Marcus August of the FBI investigates the case as the body count keeps rising. But things take a much more sinister turn when Ariel begins receiving notes from the killer. Afraid but not wanting to run and hide, she has to balance her desire to quickly build her career with the haunting menace of the Angel Killer, who seems ready to murder again. Adam’s (American Asshole, 2016, etc.) book is somewhat short. But for a concise novel, he tackles a great deal of weighty issues, no small feat for a writer whose protagonist met her agent at a strip club but refuses to do on-screen nudity. The Hollywood he writes about is full of men harboring motives and agendas, with the ever-present threat of sexual harassment or even rape always looming. In addition, the serial killer’s crimes are a shocking example of misogyny. This work isn’t as in-depth or as humorous as Adam’s wonderful debut, American Asshole, and there isn’t space to develop all of the characters. Even so, lighthearted irony does shine through, and the conclusion delivers an inventive, theatrical climax.
A spirited Hollywood mystery that has its moments.Pub Date: Oct. 9, 2018
ISBN: 978-1-64606-951-4
Page Count: 222
Publisher: Post-Entropy
Review Posted Online: Nov. 19, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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