More brilliant work from one of world literature’s greatest writers.
The third volume in Barker’s Trojan War series moves to Mycenae for a bloody climax.
Briseis, the enslaved Trojan princess who narrated the fall of Troy and ensuing wait for the Greeks to sail home in The Silence of the Girls (2018) and The Women of Troy (2021), is replaced here by Ritsa, a fellow Trojan who was her close friend. Ritsa is charged with babysitting Cassandra, daughter of the fallen King Priam, who is now enslaved to victorious Greek commander Agamemnon and proclaims that they will be killed in Mycenae. Indeed, readers soon meet Clytemnestra—in close third-person chapters alternating with Ritsa’s slave’s-eye first person—who is plotting to revenge herself on Agamemnon for his sacrifice of their daughter, Iphigenia. But Ritsa’s master, Machaon, dismisses this idea: “Frightened? Of his wife?...She’ll jump if he tells her to.” Ritsa, as punchy a narrator as Briseis, voices the feminist critique central to all three novels in response. “Pure reflex that, an automatic assertion of the rights of men.” Barker’s use of blunt British vernacular to revive this ancient Greek tale remains as effective as ever. Her latest volume adds a new note to its predecessors’ grim catalogues of brutalities. It’s decidedly creepy; the palace rustles with the voices of invisible children who leave handprints and footprints that keep reappearing no matter how often they’re scrubbed off. They are the children Agamemnon’s father, Atreus, murdered and served in a pie to their father, his brother. But they are also “all the other little boys hurled to their deaths, the babies tossed into the air and caught on spears while their mothers were made to watch” as the victorious Greeks overran fallen Troy. Barker’s vision of a world shaped by violence, a key theme in all her fiction, is equal to the tragic grandeur of ancient myth, and her insistence that ordinary people’s sufferings be given equal weight with the woes of the mighty gives it a contemporary edge.
More brilliant work from one of world literature’s greatest writers.Pub Date: Dec. 3, 2024
ISBN: 9780385549110
Page Count: 288
Publisher: Doubleday
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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