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THE VOYAGE HOME by Pat Barker Kirkus Star

THE VOYAGE HOME

by Pat Barker

Pub Date: Dec. 3rd, 2024
ISBN: 9780385549110
Publisher: Doubleday

The third volume in Barker’s Trojan War series moves to Mycenae for a bloody climax.

Briseis, the enslaved Trojan princess who narrated the fall of Troy and ensuing wait for the Greeks to sail home in The Silence of the Girls (2018) and The Women of Troy (2021), is replaced here by Ritsa, a fellow Trojan who was her close friend. Ritsa is charged with babysitting Cassandra, daughter of the fallen King Priam, who is now enslaved to victorious Greek commander Agamemnon and proclaims that they will be killed in Mycenae. Indeed, readers soon meet Clytemnestra—in close third-person chapters alternating with Ritsa’s slave’s-eye first person—who is plotting to revenge herself on Agamemnon for his sacrifice of their daughter, Iphigenia. But Ritsa’s master, Machaon, dismisses this idea: “Frightened? Of his wife?...She’ll jump if he tells her to.” Ritsa, as punchy a narrator as Briseis, voices the feminist critique central to all three novels in response. “Pure reflex that, an automatic assertion of the rights of men.” Barker’s use of blunt British vernacular to revive this ancient Greek tale remains as effective as ever. Her latest volume adds a new note to its predecessors’ grim catalogues of brutalities. It’s decidedly creepy; the palace rustles with the voices of invisible children who leave handprints and footprints that keep reappearing no matter how often they’re scrubbed off. They are the children Agamemnon’s father, Atreus, murdered and served in a pie to their father, his brother. But they are also “all the other little boys hurled to their deaths, the babies tossed into the air and caught on spears while their mothers were made to watch” as the victorious Greeks overran fallen Troy. Barker’s vision of a world shaped by violence, a key theme in all her fiction, is equal to the tragic grandeur of ancient myth, and her insistence that ordinary people’s sufferings be given equal weight with the woes of the mighty gives it a contemporary edge.

More brilliant work from one of world literature’s greatest writers.