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THE SUMMER WE GOT SAVED

Name: THE SUMMER WE GOT SAVED
Author: Pat Cunningham Devoto
ISBN: 0-446-57696-4

by Pat Cunningham Devoto ‧ RELEASE DATE: June 13, 2005

Nicely woven: Devoto captures the internal ambivalence of a society teetering on the uneasy verge of change.

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Two childhood friends, one white, one black, confront desegregation.

In 1954, Tab Rutland, a white girl descended from Klan founders, was separated from her childhood friend Maudie, the black daughter of a neighbor’s maid, when Maudie got polio and was sent away for treatment. Here, in her third outing, Devoto (My Last Days as Roy Rogers, 1999) revisits Tab and Maudie and follows them through a summer that will change both forever. Tab and Maudie are out of touch, though Tab’s life has gone on much as it had been. She drinks floats downtown. She’s reluctant to spend time with Aunt Eugenia, a family oddity whose many eccentricities include traveling to India and living in Berkeley. Yet when Eugenia deposits Tab and her sister Tina at an activist camp in the mountains—and to the frontlines of the Civil Rights movement—Tab is forced to grapple with who she’s becoming. Meanwhile, Maudie has spent several years in the colored people’s polio hospital growing into a polished teenager with a leg brace and a bit of wanderlust. She doesn’t much care about desegregation efforts, but when she hears that a job teaching at a voting school will let her out of the hospital, she returns to a one-room church near her (and Tab’s) hometown. As Maudie slowly gains the trust of her congregation, she dares to dream bigger and bigger dreams—among them building a voter-registration float for a town parade. Still, as both Tab and Maudie find, it’s dangerous to stir up progressive sentiments, and, despite all the slow drawls and fried peach pies, a very real violence lurks beneath the surface of these sleepy Southern towns. Is the South doomed to remain separated? Are Tab and Maudie? As the summer heats up, the complexities deepen, while Tab and Maudie unknowingly circle each other’s lives.

Nicely woven: Devoto captures the internal ambivalence of a society teetering on the uneasy verge of change.

Pub Date: June 13, 2005

ISBN: 0-446-57696-4

Page Count: 432

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

Categories:

LITERARY FICTION | HISTORICAL FICTION

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THE NIGHTINGALE

by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015

Still, a respectful and absorbing page-turner.

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Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Categories:

HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP

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by Kristin Hannah

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by Kristin Hannah

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THE GREAT ALONE
by Kristin Hannah

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Film Productions Halted Due to Coronavirus Worry

- SEEN & HEARD
‘The Nightingale’ Is Reese’s Book Club Pick

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.