A dazzling debut in which the actor known as “The Man of a Thousand Faces” reveals himself.
A cartoonist, designer, and filmmaker captures the voice and soul of Lon Chaney (1883-1930).
Dorian, an instructor at Pratt and the School of Visual Arts whose credits range from the New Yorker to the Cartoon Network’s Adult Swim, calls this “an imagined biography.” That description, while useful, doesn’t fully convey the power of this impressively ambitious work of imagination. The narrative is more of an imagined autobiography in which Chaney, who “chose to keep his personal life hidden,” opens up and tells all—or at least most. Dorian’s audacious, vital illustrations reflect the artistic spirit of the era and the rise of the star from humble means through vaudeville and a series of starring film roles, including The Hunchback of Notre Dame (1923) and The Phantom of the Opera (1925). Chaney and the motion picture industry came of age together, and, with a troubled marriage and a son to support, he would do whatever it took to set himself apart from other actors. When he learned that he could make an extra $5 per day on horseback for a cowboy role, he hopped right on. “And so I began my career in film as a centaur, part man…part horse,” Chaney says, before revealing the contents of his “magic box,” which allowed him to transform himself into whatever a role might call for long before the wizardry of makeup and special effects. “I searched for something that other actors couldn’t…or wouldn’t do,” he explains. “I threw myself into each part physically and mentally….A cast of my head, made by a sculptor, gave me another canvas to experiment with.” As the narrative takes readers through the films, the period-piece artistry suggests Dorian’s labor-of-love passion for the project, making us care for Chaney as much as he does.
A dazzling debut in which the actor known as “The Man of a Thousand Faces” reveals himself.Pub Date: Oct. 6, 2020
ISBN: 978-1-5247-4743-5
Page Count: 160
Publisher: Pantheon
Review Posted Online: June 8, 2020
Kirkus Reviews Issue: July 1, 2020
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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