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THE QUICKEST KID IN CLARKSVILLE

Sweet and inspiring.

Two little girls compete to meet a local hero.

It’s 1961. Tomorrow there'll be a big parade in Clarksville, Tennessee, honoring hometown girl Wilma Rudolph, "the fastest woman in the world" and winner of multiple Olympic gold medals. Alta, along with friends Dee Dee and Little Mo, likes to pretend that she's the fastest woman in the world and hopes to meet her idol. But there's a new girl in the neighborhood, Charmaine, with an abundance of attitude and a pair of beautiful new shoes, shoes "Like Wilma's," with stripes down the sides and laces so white they glow. Alta challenges her to a race, to the mailbox and back. Alta wins, thinking "Wil-Ma Ru-Dolph" all the while. Charmaine suggests another run, to the corner; this time, she wins. Walking away, Alta's foot hits a rock, and the rock hits Charmaine. They almost fight. But the next day, Alta is struggling to carry the big banner for Wilma when Charmaine struts by. In a turnaround, she helps out, and all four find a perfect spot to watch. Wilma Rudolph smiles at the new friends and waves. Miller's girl-power story also tucks in some nice observations on friendship. Morrison's watercolor illustrations are vibrant and evocative, capturing the thrill and pride in this African-American community for its famous daughter. A helpful author's note adds context.

Sweet and inspiring. (Picture book. 5-8)

Pub Date: Feb. 9, 2016

ISBN: 978-1-4521-2936-5

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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