by Pat Zietlow Miller ; illustrated by Eliza Wheeler ‧ RELEASE DATE: March 5, 2019
For lovers of Jacqueline Woodson and Rafael López’s The Day You Begin (2018), a sweet lesson on how to glow from the inside...
In this new book from the creative duo behind Wherever You Go (2015), a child warily bids adieu to a beloved former home and summons the courage to embrace the new one.
A family says farewell to neighbors as they pack the last of their belongings into a car and trailer. In a mostly empty room, a pigtailed child holds a photo album. The family drives away from what was their home, and, visibly nostalgic, the child opens the photo album. Miller’s text, replete with musical pulses, evokes the emotional and trying journey: “Because some days are full of things you’d rather not do. // Like plunging into a pool all by yourself, hoping you’ll swim and not sink. / Or standing alone, in front of a crowd, searching for one friendly face.” The drive is a journey through busy city traffic then a somber, rainy forested range that culminates in hilly, coastal views. With mixed traditional media, Wheeler revels in color—dramatic, muted hues and warm glowing pages mirror the protagonist’s feelings. Graceful, sinuous artwork depicting various panoramas adorns mostly double-page spreads, encouraging readers to observe how the illustrations echo the verses. One dazzling spread cleverly uses stars, moon, and twilight to convey the protagonist’s brightness, bravery, and courage. Both child and family are racially ambiguous, with light skin and straight, dark hair.
For lovers of Jacqueline Woodson and Rafael López’s The Day You Begin (2018), a sweet lesson on how to glow from the inside out. (Picture book. 3-8)Pub Date: March 5, 2019
ISBN: 978-0-316-39252-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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