An affectionate, mouthwatering tale.
Based on a true story, this illustrated children’s book explains the origin of a signature sandwich.
After leaving Palermo, Sicily, Signor Salvatore Lupo comes to New Orleans in 1906. He plans to open a grocery shop stocked with delicacies such as pasta, salami, and more, catering to immigrants like him who miss the taste of home. Nearby, another Sicilian opens a bakery for Italian-style breads, which Salvatore stocks in his shop as part of the lunchtime spread. Though Salvatore’s shop is popular, it’s also small, and some customers have to eat standing up. The traditional style is to have a plate with lots of separate items like cheese, salami, olives, bread, and more, because “Sicilians only ate one thing at a time.” But crowded people and small plates lead to a lot of spills, so Salvatore has a brilliant nontraditional idea: make an olive salad and pile it with salami, ham, and Swiss cheese onto a crusty Italian loaf. Unfortunately, customers complain that the resulting sandwich is too hard to chew until Salvatore has another great notion—use soft muffuletta bread instead. The dish is a huge hit and is still a New Orleans specialty. In her second children’s book, Saunders tells a lively story full of energetic exclamations like “Mamma Mia!” and “kurplunk!” The tale celebrates immigrant ingenuity and the birth of new traditions that still honor one’s roots. Salvatore’s accent could be considered stereotypical, as in “How abouta everything goes on to the breada?” But it’s in the context of respecting his achievements. The work includes recipes for olive salad and muffuletta bread as well as background information about Salvatore and how Saunders came to write the book. The author’s watercolor and ink illustrations, which depict a light-skinned cast, are amusing, gently colored, and sprightly.
An affectionate, mouthwatering tale. (bibliography)Pub Date: Feb. 9, 2021
ISBN: 978-1-950169-32-0
Page Count: 32
Publisher: Spork
Review Posted Online: Nov. 25, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A common topic ably presented—with a participatory element adding an unusual and brilliant angle.
To the tune of a familiar ditty, budding paleontologists can march, dig, and sift with a crew of dinosaur hunters.
Modeling her narrative after “Here We Go ’Round the Mulberry Bush,” Lendroth (Old Manhattan Has Some Farms, 2014, etc.) invites readers to add appropriate actions and gestures as they follow four scientists—modeled by Kolar as doll-like figures of varied gender and racial presentation, with oversized heads to show off their broad smiles—on a dig. “This is the way we clean the bones, clean the bones, clean the bones. / This is the way we clean the bones on a warm and sunny morning.” The smiling paleontologists find, then carefully excavate, transport, and reassemble the fossil bones of a T. rex into a museum display. A fleshed-out view of the toothy specimen on a wordless spread brings the enterprise to a suitably dramatic climax, and unobtrusive notes in the lower corners capped by a closing overview add digestible quantities of dino-detail and context. As in Jessie Hartland’s How the Dinosaur Got to the Museum (2011), the combination of patterned text and bright cartoon pictures of scientists at accurately portrayed work offers just the ticket to spark or feed an early interest in matters prehistoric.
A common topic ably presented—with a participatory element adding an unusual and brilliant angle. (Informational picture book. 4-7)Pub Date: March 3, 2020
ISBN: 978-1-62354-104-0
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
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