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FLAT-FOOTED TRUTHS

Name: FLAT-FOOTED TRUTHS
Author: Patricia Bell-Scott
ISBN: 0-8050-4628-3

TELLING BLACK WOMEN'S LIVES

edited by Patricia Bell-Scott ‧ RELEASE DATE: June 1, 1998

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A vibrant and passionate collection of writings by a disparate group of African-American women. Bell-Scott, a contributing editor at Ms. magazine, has assembled the voices of 27 writers who offer insights into the lives of black women. In the first of its four sections, the writers muse on the risks and rewards of sharing one’s life with others. Poet, novelist, and performance artist Sapphire recounts the healing effect that writing had on her. Rendering her no longer invisible as a black lesbian “survivor,” the written word verified her existence. Sapphire compares the initial stages of creating Precious, the controversial central character of her first novel Push, to a pregnancy whose outcome is a “beautiful child.” The second section of Flat-Footed Truths focuses on the attempts of African-American women to reclaim the lives of those black women who’ve been neglected. Alice Walker presents a fascinating account of her journey to Zora Neale Hurston’s hometown of Eatonville, Fla., in her determination to find out the circumstances of Hurston’s death and to provide her grave with a proper headstone. The following section, “Telling Lives As Resistance,” reflects on the dangers of remaining silent in the face of racism and sexism. The excerpts from Anita Hill’s testimony to the Senate Judiciary Committee’s confirmation hearings for Justice Clarence Thomas remain as riveting as when they were first broadcast on national television. Audre Lorde’s essay “Poetry Is Not a Luxury” speaks about the power of poetry to realize dreams and give Black women “the strength and courage to see, to feel, to speak and to dare.” The final section, “Telling Lives As Transformation,” speaks about the power of the written word to transform lives and to literally save them. Sonia Sanchez sees her poetry as an opportunity not only to save herself, but to “give Black people strength, power and a sense of themselves.” A highly accessible collection of essays, interviews, poems, and photographs that provide penetrating insights into the lives of African-American women, and all women, past and present.

Pub Date: June 1, 1998

ISBN: 0-8050-4628-3

Page Count: 224

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1998

Categories:

CURRENT EVENTS & SOCIAL ISSUES | ETHNICITY & RACE | WOMEN & FEMINISM | GENERAL CURRENT EVENTS & SOCIAL ISSUES

- BOOK REVIEW
THE FIREBRAND AND THE FIRST LADY
by Patricia Bell-Scott

- BOOK REVIEW
LIFE NOTES
edited by Patricia Bell-Scott

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A PEOPLE'S HISTORY OF THE UNITED STATES

by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Categories:

- BOOK REVIEW
A YOUNG PEOPLE'S HISTORY OF THE UNITED STATES
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales

- BOOK REVIEW
TRUTH HAS A POWER OF ITS OWN
by Howard Zinn with Ray Suarez

- BOOK REVIEW
THE HISTORIC UNFULFILLED PROMISE
by Howard Zinn

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I KNOW WHY THE CAGED BIRD SINGS

by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

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Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynchingâ€”and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.