by Patricia Bosworth ‧ RELEASE DATE: Jan. 31, 2017
A forthright memoir of pain and aspirations enlivened by sharp portraits of a host of colorful celebrities.
The theater world of the 1950s forms the backdrop for a star-studded memoir.
Before she became a journalist and biographer, whose subjects include Montgomery Clift and Marlon Brando, Bosworth (Jane Fonda: The Private Life of a Public Woman, 2011, etc.) was an actress who trained at the Actors Studio (along with Marilyn Monroe, Paul Newman, and Steve McQueen) and performed on and off Broadway, on several TV soap operas, and on film as Audrey Hepburn’s friend in The Nun’s Story. The author recounts the glamorous highs and frustrating lows of trying to succeed as an actress, offering juicy anecdotes featuring a large cast of the actors, directors, and playwrights who comprised the important men in her young life. In addition, she revisits some material from her previous memoir, Anything Your Little Heart Desires (1997), focused on her father, Bartley Crum, a lawyer who defended the Hollywood Ten and suffered reprisals during the McCarthy years; and her brother, Bart Jr., who killed himself in 1953. The two Barts are the men who affected her most. She dedicates the memoir to Bart Jr.; unfortunately, she records verbatim her imaginary, rather immature, conversations with him, which persisted long after his death. Bosworth longed to extricate herself from a “family full of terrible silences” that refused to recognize Bart’s homosexuality, find help for his depression, and acknowledge her father’s alcoholism and drug dependency. Her father eventually killed himself, as well. Her first act of rebellion was to elope when she was still in her teens. “By choosing someone my parents disapproved of,” she writes, “I found myself released from all traditional expectations.” But marriage was not the answer: her husband, a would-be artist, abused her; finally, with her father’s help, she got a divorce. She divulges an affair with an older, married man, who opened some professional doors; a later abortion; and, in 1966, marriage. By then, she had given up acting to become a writer.
A forthright memoir of pain and aspirations enlivened by sharp portraits of a host of colorful celebrities.Pub Date: Jan. 31, 2017
ISBN: 978-0-06-228790-8
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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