by Patricia C. McKissack & Fredrick L. McKissack Jr. & illustrated by Randy DuBurke ‧ RELEASE DATE: Feb. 1, 2012
History that’s fun to read…and important.
On a train out of Denver in 1902, two old cowboys reminisce about the Old West.
Nat Love is now a Pullman porter on the Denver and Rio Grande Railroad, but he was once “Deadwood Dick,” a famous cowboy, every bit the equal to western heroes Bat Masterson, Calamity Jane, the Earps and Wild Bill Hickok. As a porter, he suffers rude treatment and racist comments, but when William Bugler boards the train, the “[w]orld’s best shooter and [the] world’s best scout” recall old times, and Bugler (an invented character) convinces Nat to write down his stories for his Kansas City newspaper. The remainder of the graphic novel is Nat’s stories—his life as a slave in Davidson County, Tenn., his work as a cowpuncher and his 20 years of adventures in a world that no longer exists. The text is complemented by acrylic-and-pen full-color illustrations (seen only in black-and-white for review), in which DuBurke uses his experience as a comic-book artist to capture the dramatic energy of line and gesture, just right for a gun-slinging hero. A perfect use of the graphic format to celebrate the life of a legendary American.
History that’s fun to read…and important. (authors’ note, illustrator’s note) (Historical fiction. 10 & up)Pub Date: Feb. 1, 2012
ISBN: 978-0-8118-5749-9
Page Count: 136
Publisher: Chronicle Books
Review Posted Online: Dec. 2, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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by Patricia C. McKissack ; illustrated by April Harrison
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edited by Patricia C. McKissack ; illustrated by Brian Pinkney
by Hyun Sook Kim & Ryan Estrada ; illustrated by Hyung-Ju Ko ‧ RELEASE DATE: May 19, 2020
A tribute to young people’s resistance in the face of oppression.
In 1983 South Korea, Kim was learning to navigate university and student political activism.
The daughter of modest restaurant owners, Kim was apolitical—she just wanted to make her parents proud and be worthy of her tuition expenses. Following an administrator’s advice to avoid trouble and pursue extracurriculars, she joined a folk dance team where she met a fellow student who invited her into a banned book club. Kim was fearful at first, but her thirst for knowledge soon won out. As she learned the truth of her country’s oppressive fascist political environment, Kim became closer to the other book club members while the authorities grew increasingly desperate to identify and punish student dissidents. The kinetic manhwa drawing style skillfully captures the personal and political history of this eye-opening memoir. The disturbing elements of political corruption and loss of human rights are lightened by moving depictions of sweet, funny moments between friends as well as deft political maneuvering by Kim herself when she was eventually questioned by authorities. The art and dialogue complement each other as they express the tension that Kim and her friends felt as they tried to balance school, family, and romance with surviving in a dangerous political environment. References to fake news and a divisive government make this particularly timely; the only thing missing is a list for further reading.
A tribute to young people’s resistance in the face of oppression. (Graphic memoir. 14-adult)Pub Date: May 19, 2020
ISBN: 978-1-945820-42-7
Page Count: 192
Publisher: Iron Circus Comics
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Hyun Sook Kim & Ryan Estrada ; illustrated by Ryan Estrada ; color by Amanda Lafrenais
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PERSPECTIVES
PERSPECTIVES
by Sophia Glock ; illustrated by Sophia Glock ‧ RELEASE DATE: Nov. 30, 2021
A truth-is-stranger-than-fiction story about a lost soul finding her way.
Navigating high school is hard enough, let alone when your parents are CIA spies.
In this graphic memoir, U.S. citizen Glock shares the remarkable story of a childhood spent moving from country to country; abiding by strange, secretive rules; and the mystery of her parents’ occupations. By the time she reaches high school in an unspecified Central American nation—the sixth country she’s lived in—she’s begun to feel the weight of isolation and secrecy. After stealing a peek at a letter home to her parents from her older sister, who is attending college in the States, the pieces begin to fall into place. Normal teenage exploration and risk-taking, such as sneaking out to parties and flirtations with boys, feel different when you live and go to school behind locked gates and kidnapping is a real risk. This story, which was vetted by the CIA, follows the author from childhood to her eventual return to a home country that in many ways feels foreign. It considers the emotional impact of familial secrets and growing up between cultures. The soft illustrations in a palette of grays and peaches lend a nostalgic air, and Glock’s expressive faces speak volumes. This is a quiet, contemplative story that will leave readers yearning to know more and wondering what intriguing details were, of necessity, edited out. Glock and many classmates at her American school read as White; other characters are Central American locals.
A truth-is-stranger-than-fiction story about a lost soul finding her way. (Graphic memoir. 13-18)Pub Date: Nov. 30, 2021
ISBN: 978-0-316-45898-6
Page Count: 320
Publisher: Little, Brown
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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