by Patricia Cecil Hass , illustrated by Laura Corson ‧ RELEASE DATE: Oct. 22, 2019
A delightful tale headlined by responsible tweens who just happen to be exceptional amateur detectives.
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Youngsters in Richmond, Virginia, are determined to find the thieves who looted a local art museum in this middle-grade mystery.
The last year hasn’t been easy for the Corbett children. Since their father’s death, the family has struggled financially. Now that it’s summer, 12-year-old Sally, who’s just off crutches from a lacrosse injury, can help younger brother, Andrew, 11, with his business. He handles everything from lawn care to feeding and walking pets. But the kids, along with Jane, the youngest, are shocked by a burglary at the museum where their mother, Cary, works. The thieves evidently zeroed in on antique American toys, which were part of an exhibition Cary had been organizing. As this show ties in with her recent promotion to head curator, the Corbetts are worried she’ll receive the blame for the thefts and lose her job. Consequently, Sally and Andrew decide to search for the culprits and recover the toys. They get their first big break from peer Henry Morrison, whose dad, Jim, is chairman of the museum’s board of trustees. Henry has a business similar to Andrew’s, and one of his clients had an antique toy that may have been from the exhibition. But going to speak with the client only leads to more questions and several suspects, including a suspicious motorcyclist the kids spotted prior to the robbery. As Sally, Andrew, and Henry inch closer to unmasking the thieves, they take increasing risks and may soon find themselves up against individuals more menacing than they could have ever imagined. Hass’ (Monument Avenue Memories, 2013, etc.) relatively short novel moves at a steady clip, due in large part to its succinct prose and tight editing. The author introduces the exceedingly likable Corbetts and skillfully teases the story’s mystery (by way of the shady motorcyclist) within the opening 10 pages. Sally, Andrew, and Henry are well-developed characters; they are all bright and considerate of others. Although they disregard cops’ warnings to stay away from the case and may commit a crime or two, the kids are generally cautious. For example, when they’re separated, they remain in contact as much as possible via cellphones. But more importantly, they’re responsible, as Andrew’s business takes precedence over any plan to follow up on a clue. In one instance, they decide first who’s cleaning a client’s pigeon coop before choosing which youngster will bike to check out a suspect’s workplace. The mystery isn’t difficult to unravel and often relies on coincidence. But Hass effectively generates a fraught narrative at the mere suggestion of danger. In one memorable scene, Sally, following the evidence, bikes to a store a distance away. Before she even arrives, an imminent storm produces dark clouds coupled with “low and ominous” rumbling thunder. The images by debut illustrator Corson resemble notebook sketches, but with copious details and shading. She deftly captures some of the book’s more intense sequences, though the highlight is a simple picture of little Jane enjoying a sandwich with the family cat in her lap. The author concludes her entertaining novel with a strong possibility of a sequel (Hint: The summer isn’t over).
A delightful tale headlined by responsible tweens who just happen to be exceptional amateur detectives.Pub Date: Oct. 22, 2019
ISBN: 978-0-578-55877-6
Page Count: 202
Publisher: Windsong Press
Review Posted Online: Dec. 10, 2019
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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