Cornwell’s piecemeal approach to her heroine’s daunting job is more realistic than compelling.
Back in her post as Virginia’s chief medical examiner, Dr. Kay Scarpetta finds things just as messy among the living as the dead.
Even though her killer has cut off her hands, the corpse du jour is soon identified as that of Gwen Hainey, a biomedical engineer from Thor Laboratories, who just happened to live two doors down from Scarpetta’s sister, Dorothy, and her husband, ex-cop shamus Pete Marino. Called out to assist U.S. Park Police investigator August Ryan, Scarpetta, urged on by Officer Blaise Fruge—whose mother, Dr. Greta Fruge, is a toxicologist Scarpetta came to trust before she left Virginia for Boston—connects Hainey’s murder with the months-old death of Cammie Ramada, a jogger who was drowned only a short distance away. Dr. Elvin Reddy, Scarpetta’s politically minded predecessor, short-circuited the earlier investigation by ruling the death an accident even though it was highly unusual for him to get involved directly at all. As she battles Reddy, largely through Maggie Cutbush, the British secretary he left behind to undermine his successor, Scarpetta has other worries as well. In a development that will remind fans of Cornwell’s non-Scarpetta thriller Quantum (2019), she’s called to the White House to conduct what turns out to be a long-distance autopsy by proxy on a pair of astronauts aboard a Thor orbiting laboratory who’ve apparently been killed by a barrage of space debris. And she’s poisoned by a bottle of Bordeaux she was given by irreproachable Gabriella Honoré, the first female secretary general of Interpol. After the usual professional infighting, all these separate cases are wound up with a series of casual snaps that will leave you gasping, and not in a good way.
Cornwell’s piecemeal approach to her heroine’s daunting job is more realistic than compelling.Pub Date: Nov. 30, 2021
ISBN: 978-0-06-311219-3
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
SEEN & HEARD
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
No, it’s not for everyone—but if you want to read a supercharged meta-pastiche like this, this is exactly the one to read.
The 50th annual Australian Mystery Writers’ Festival, taking place aboard a long-distance train bound from Darwin to Adelaide, is punctuated by snarky dialogue, murder, and a zillion inventive misdirections.
“Why [am] I here?” wonders Ernest Cunningham, whose struggles to write his second book are interrupted by his invitation as a headliner at the festival-on-wheels, which will turn into the setting of his new book. Thriller writer S.F. Majors, former forensic pathologist Alan Royce, and artsy one-named Wolfgang are all much better known than he is. So is Lisa Fulton, even though she hasn’t published a novel in 20 years. And of course Henry McTavish, the bestselling creator of Detective Morbund, is in a different league altogether. After making a series of disingenuous promises about future developments—since he’s narrating the tale in the first person, for instance, he will definitely survive, and the killer’s name will be mentioned exactly 106 more times going forward—Ernest gets down to business with a combination of zeal and obliviousness. True to his word, he chronicles more than one murder, reveals a multitude of other felonies from burglary to rape, links the current mystery to a much older case, and sets the stage for a series of escalating reveals, one of them interrupted so many times that the self-anointed detective complains, “There’s not normally this much heckling in a denouement.” Stevenson rivals his golden age models in his willingness to sprinkle every scene with clever clues, outdoes them in setting up a dazzling series of false conclusions, and leaves them in the dust for modern-day fans with an appetite for self-reflexiveness.
No, it’s not for everyone—but if you want to read a supercharged meta-pastiche like this, this is exactly the one to read.Pub Date: Jan. 30, 2024
ISBN: 9780063279070
Page Count: 336
Publisher: Mariner Books
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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