Fans, aware that this particular fatality is incidental to the larger saga of the heroine’s epic struggle with the forces of...
Dr. Kay Scarpetta’s talk to the bigwigs at Harvard’s Kennedy School of Government is delayed by murder, malicious online posts, anonymous messages, a visit from her sister, and a familiar malefactor from her past in this kitchen-sink 24th installment.
Walking through Harvard Yard in the brutal September heat, Scarpetta muses that normal days for a forensic pathologist are shockingly abnormal for everyone else. As if to prove her point, she instantly gets word from her old frenemy Cambridge Police Investigator Pete Marino that a call to 911 complained that she’d just quarreled violently with Bryce Clark, her chief of staff. Scarpetta, already pondering a series of obscure but meticulously timed messages she’s had from someone calling himself Tailend Charlie, is in no mood for the impending visit from her disapproving younger sister, Dorothy, whose flight to Boston keeps getting delayed. So it’s a perfect time for Anya and Enya Rummage, a pair of dull-witted teenage twins, to report finding a body in John F. Kennedy Park. Arriving at the crime scene, Scarpetta realizes with a shock that she encountered Elisa Vandersteel in passing only a few hours before her death. Is her old nemesis, that monstrous psychopath Carrie Grethen, trying to get at her yet again (Depraved Heart, 2015, etc.) by killing a stranger who crossed her path? And just how was the Canadian-born Elisa, who’d been working as an au pair in tech CEO William Portison’s Mayfair home, killed? Even the twins noticed a burning smell coming from the body, but there’s no meteorological sign of the lightning strike that would seem to be the most obvious cause for her death.
Fans, aware that this particular fatality is incidental to the larger saga of the heroine’s epic struggle with the forces of evil, will forgive the absence of a coherent mystery or characters worth caring about. The closest analogue to Cornwell’s wildly successful series, in fact, may be a superhero franchise.Pub Date: Nov. 15, 2016
ISBN: 978-0-06243668-9
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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