Yet another demonstration that the murderous enemies of forensic pathologist Dr. Kay Scarpetta aren’t neutralized by life imprisonment or death. Especially not death.
After Dawn Kincaid was jailed for attacking Scarpetta in her own garage and nearly killing her, you’d think she’d be out of the picture. No such luck: Claiming self-defense, she’s commenced legal action against Scarpetta for attempted murder. Meanwhile, Kathleen Lawler, the mother who conceived Dawn by seducing 12-year-old Jack Fielding, Scarpetta’s late assistant, has invited Scarpetta to the Georgia Prison for Women, where she’s serving 10 years for DUI manslaughter, to chat. Their talk, like much of this tale’s overextended first half, is creepy but inconclusive, and Scarpetta comes away wondering what she’s gotten into this time—or what she failed to get out of last time (Port Mortuary, 2010, etc.). The pivotal figures turn out to be two women who never appear: Lola Daggette, GPFW’s celebrity inmate, who maintains her innocence even though she’s doing life for the slaughter of Savannah physician Clarence Jordan and his family, and Barrie Lou Rivers, the Deli Devil who fed arsenic to 17 patrons of her sandwich stand, 9 of them fatally, then choked to death in her cell hours before her date with the executioner’s needle. Working with her usual posse—her husband, profiler Benton Wesley; her hot-tempered investigator Pete Marino; and her niece Lucy, whose latest dead lover, Manhattan Sex Crimes prosecutor Jaime Berger, gives her a personal stake in the case—Scarpetta, working feverishly in the story’s much more rewarding second half, unearths the connections among a series of conveniently timed suicides in GPFW. She may even close the books on this set of monsters for good. Cornwell at her worst, Cornwell at her best, but mainly Cornwell at her most.
Pub Date: Dec. 6, 2011
ISBN: 978-0-399-15802-5
Page Count: 512
Publisher: Putnam
Review Posted Online: Nov. 20, 2011
Kirkus Reviews Issue: Dec. 1, 2011
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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