because Duncker promises so much more.
From a promising British writer (Monsieur Shoushana’s Lemon Trees, 1998), a fictional interpretation of the life of Dr.
James Miranda Barry, a medical doctor—who was actually a woman’serving with the British Army in the early 1800s. Duncker has an eye for period detail, and memorably re-creates the settings of real-life James’s strange and lonely existence. Born in 1799, James was the only child of a beautiful Irish widow, Mary Ann Bulkeley, who often posed for her famous painter brother James Barry. She was also the mistress of Venezuelan General Francisco Miranda, living in exile in England. James, who from a young age was dressed by her mother in boy's clothes, was less certain of her paternity: Her father could have been her uncle, the general, or David Erskine, a noble lover of Mary Ann’s. Spending summers on Erskine's estates, James meets and falls forever in love with scullery maid Alice Jones, an ambitious young woman whom she taught to read. At ten, James’s three putative fathers, at her mother's request’she felt her daughter could have a fuller life as a man—tell James that she’ll study medicine but as a man. This she does. Later, she joins the British Army and serves in South Africa, the Mediterranean, where she faces a cholera epidemic, and Jamaica, where she witnesses a slave revolt. Though respected for her enlightened ideas and effective remedies, she is not, of course, what "he" appears to be—which leads to a young woman falling in love with James, as well as to a plethora of rumors about his gender. Retired, James lives with Alice Jones, now a famous actress, who tries to console her for her sense of never having had a real identity, by observing that we're all actors making up the lines and the plot as we go on. More an abstract exploration of gender and disguise than a perceptive take on a historical figure. Which is disappointing,
because Duncker promises so much more.Pub Date: Feb. 14, 2000
ISBN: 0-06-019601-7
Page Count: 384
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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