An intriguing speculation about authoritarian futures with a terrific cover.
Young Letta becomes wordsmith to her community in a future that follows a climate apocalypse.
A likable protagonist, Letta (white with green eyes and red hair) is the one positive female character in this narrative of resistance and revelation. She is at the mercy of John Noa, the controlling savior of a number of people who joined his Ark just before a warming planet Earth produced massive, devastating floods in an event remembered as the Melting. Noa is obsessed with the potential of the spoken word to influence human conflict and confusion. When Letta chooses to shelter a wounded boy, Marlo, shot as a Desecrator by Noa’s security force, the corruption at the heart of things begins to reveal itself to Letta. Her disillusion deepens when her master goes missing and when a young boy, son of her neighbor, is banished for misusing language. Marlo (sallow-skinned, with blue-gray eyes and black hair) turns out to be part of a largely self-sufficient community living outside the Ark and opposed to Noa’s strictures. Forde’s pacing and characterization are compelling, especially after initial chapters focused on Noa’s truncated List-based language of acceptable words (all English ones) and people’s awkward struggle to speak it. Brief expository passages interspersed with Letta’s story reveal Noa’s thinking and his ugly desire to eliminate the weakness of language.
An intriguing speculation about authoritarian futures with a terrific cover. (Science fiction. 10-14)Pub Date: Aug. 8, 2017
ISBN: 978-1-4926-4796-6
Page Count: 384
Publisher: Sourcebooks Jabberwocky
Review Posted Online: May 19, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
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