An unemotional and rather contrived treatment of a potentially poignant subject.
A single woman struggles modishly with her decision to adopt a young child orphaned by AIDS.
Meg Krantz, a potter who creates goddess vases and pots to sell at craft shows, finds it ironic that women often buy them as fertility charms. Perhaps because of her difficult relationship with her own mom, Meg has scarcely given a thought to the idea of becoming a mother herself—until Barry Toffler, a client of the HIV/AIDS service agency where she volunteers, dies suddenly and leaves Meg his four-year-old daughter Kimble in a hastily scrawled will. Touched by the plight of a child whose mother also died of AIDS, Meg is reluctant to turn her over to the Child Welfare social workers, but knows that eventually she’ll have to. When Kimble’s unstable grandmother enters the picture, all must await a decision on the child’s custody from the various social service agencies involved. Meg takes the time to ruminate wryly on the ups and downs of the bohemian life she leads in an illegal loft in Lower Manhattan; runs into (and beds) her beautiful but shallow former lover Sarina; wrangles with her acerbic therapist, who hands out bluntly unconventional advice; and wonders whether she really has what it takes to be a mother after all. Unfortunately, the little girl at issue remains invisible for much of the story, as Grossman concentrates in minute detail on the lesbian heroine’s endless exploration of her past, her feelings, and her fears. The downtown, self-consciously hip setting is defined by its trendy decor and arty clothes, which the author points out all too carefully. Arch dialogue adds to the general air of unreality—and often incomprehensibility, as in the sage reflection “But no, the tyranny of children was their categorical thereness.”
An unemotional and rather contrived treatment of a potentially poignant subject.Pub Date: Dec. 1, 2000
ISBN: 1-55583-544-9
Page Count: 256
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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