by Patricia Lauber ‧ RELEASE DATE: Sept. 1, 1996
A glossy book about monster storms, past and yet to be. Lauber (How Dinosaurs Came to Be, p. 553, etc.) begins with a description of the spectacular hurricane of 1938 that slammed into Long Island, bringing with it a wall of water 40 feet high that lifted entire houses off their foundations before moving on to Rhode Island where it swamped downtown Providence. With that attention-grabbing start, accompanied by many black-and-white historic photos that emphasize the devastation, Lauber steps back for an explanation of how hurricanes are formed, studied, and named. She recounts efforts to track, predict, and alter hurricanes, and then discusses more recent storms, including Hurricanes Andrew and Iniki in 1992. The full-color photos in this section show acres of palm trees flattened, buildings stripped of their walls, and a town turned to rubble. Noting that 1995, one of the busiest hurricane years of this century, may mark the beginning of a ``heavy'' cycle, Lauber discusses the implications for the more than 44 million Americans who live along the coastline and for fragile environments, such as the Florida Everglades. The book is thoroughly up-to-date, and, like its subject, quite powerful. (full-color photos, maps, diagrams, further reading, index) (Nonfiction. 8-11)
Pub Date: Sept. 1, 1996
ISBN: 0-590-47406-5
Page Count: 64
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
Share your opinion of this book
More by Patricia Lauber
BOOK REVIEW
by Patricia Lauber & illustrated by John Manders
BOOK REVIEW
by Patricia Lauber & illustrated by Rosalyn Schanzer
BOOK REVIEW
by Patricia Lauber & illustrated by John Manders
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Share your opinion of this book
More by Julia Alvarez
BOOK REVIEW
by Julia Alvarez ; illustrated by Raúl Colón
BOOK REVIEW
by Julia Alvarez ; illustrated by Sabra Field
BOOK REVIEW
by Lynn Joseph ‧ RELEASE DATE: Aug. 31, 2000
This standout novella lustrously portrays Ana Rosa and the rich simplicity of her family’s daily life in the Dominican Republic. The linked vignettes and elegant prose vitalize the merengue music, colorful houses, as well as the people’s poverty and the tyranny of the government. Each chapter begins with one of Ana Rosa’s lovely rhythmic verses. A poet and writer at age 12, she steals bits of paper to record everything she sees, hears, and imagines. Ana Rosa’s family is very close by necessity, but it is her beloved brother Guario who has the job that supports them. As the novella proceeds, dark shadows begin to slink through the gentle days. We learn that Ana Rosa’s father drinks too much rum and Coke, especially on Sundays, when he becomes a lurching spectacle. Then an official informs the villagers that to build a hotel, the government has sold the land on which their families have lived for generations. The villagers band together, Ana Rosa writes an article, and her brother Guario becomes their passionate leader. But when the day of the standoff arrives, the villager’s words and rocks are nothing against the guardia’s guns and bulldozers. The heartbreaking result is Guario’s death. Without diluting the sorrow, Joseph (Fly, Bessie, Fly, 1998, etc.) illustrates the good arising from the tragedy as the government cancels the hotel project and Ana Rosa begins writing the life of her brother. This is an achingly beautiful story that will awaken profound emotions in the reader. (author’s note) (Fiction. 8-11)
Pub Date: Aug. 31, 2000
ISBN: 0-06-028232-0
Page Count: 144
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
Share your opinion of this book
More by Lynn Joseph
BOOK REVIEW
by Lynn Joseph
BOOK REVIEW
by Lynn Joseph
BOOK REVIEW
by Lynn Joseph & illustrated by Yvonne Buchanan
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.