WHAT YOU NEVER KNEW ABOUT FINGERS, FORKS, AND CHOPSTICKS

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WHAT YOU NEVER KNEW ABOUT FINGERS, FORKS, AND CHOPSTICKS

Name: WHAT YOU NEVER KNEW ABOUT FINGERS, FORKS, AND CHOPSTICKS
Author: Patricia Lauber
ISBN: 0-689-80479-2

by Patricia Lauber ‧ RELEASE DATE: Sept. 1, 1999

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This tour through time of varied eating tools is both fun and fascinating. Starting with the Stone Age, which took finger food to extremes until rudimentary knives were born, Lauber (Painters of the Caves, 1998, etc.) travels through the metallic ages (copper, bronze, iron), Middle Ages, Renaissance, and modern times, laying out the evolution of knife, fork, and spoon, the introduction of chopsticks, and the refinement of eating with the fingers. She explains—always with an infusion of humor—the origins and changes in etiquette, and the design tinkerings in flatware (including Louis XIV’s stipulation that knives be made with rounded ends to cut down on the number of stabbings at the table). Manders’s madcap artwork belies a rigorous and elegant technique of underpainting, dyes and washes; he gives a comic touch to such important historical moments as when it was proper to eat peas with the knife. (bibliography) (Picture book/nonfiction. 7-11)

Pub Date: Sept. 1, 1999

ISBN: 0-689-80479-2

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

Categories:

CHILDREN'S HISTORICAL FICTION

- BOOK REVIEW
WHAT YOU NEVER KNEW ABOUT BEDS, BEDROOMS, & PAJAMAS
by Patricia Lauber & illustrated by John Manders

- BOOK REVIEW
THE TRUE-OR-FALSE BOOK OF DOGS
by Patricia Lauber & illustrated by Rosalyn Schanzer

- BOOK REVIEW
WHAT YOU NEVER KNEW ABOUT TUBS, TOILETS, AND SHOWERS
by Patricia Lauber & illustrated by John Manders

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BACH'S BIG ADVENTURE

by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999

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PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)

Pub Date: March 1, 1999

ISBN: 0-531-30140-0

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

Categories:

CHILDREN'S HISTORICAL FICTION | CHILDREN'S ENTERTAINMENT & SPORTS

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THE BABE AND I

by David A. Adler ‧ RELEASE DATE: April 1, 1999

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Adler (also with Widener, Lou Gehrig, 1997, etc.) sets his fictional story during the week of July 14, 1932, in the Bronx, when the news items that figure in this tale happened. A boy gets a dime for his birthday, instead of the bicycle he longs for, because it is the Great Depression, and everyone who lives in his neighborhood is poor. While helping his friend Jacob sell newspapers, he discovers that his own father, who leaves the house with a briefcase each day, is selling apples on Webster Avenue along with the other unemployed folk. Jacob takes the narrator to Yankee Stadium with the papers, and people don’t want to hear about the Coney Island fire or the boy who stole so he could get something to eat in jail. They want to hear about Babe Ruth and his 25th homer. As days pass, the narrator keeps selling papers, until the astonishing day when Ruth himself buys a paper from the boy with a five-dollar bill and tells him to keep the change. The acrylic paintings bask in the glow of a storied time, where even row houses and the elevated train have a warm, solid presence. The stadium and Webster Avenue are monuments of memory rather than reality in a style that echoes Thomas Hart Benton’s strong color and exaggerated figures. (Picture book. 5-9)