An intriguing but improbable romance.
An academic meets a movie star in this contemporary romance.
Dee Schwartz is an arts researcher who likes to push the envelope. Her publisher thinks her latest manuscript is too controversial (“on page one, there’s an explicit oral act in the balcony of a church”). She meets film star Ryder “Rye” Field one night at a bar in Los Angeles. Rye has a checkered past; Dee’s friends warn her about him because there’s a lot of gossip swirling around the actor. She goes out with Rye anyway. They bond over the fact that they both lost their mothers at young ages. There’s a lot of talk on that first date, as they tell each other their entire backstories before they sleep together. Soon, he invites her as his date to a business dinner in which he tries to iron out the specifics of his next movie. Dee impresses everyone at the dinner. After just a few days, Rye and Dee declare their love for each other and everything seems blissful. Some fun secondary characters, a well-drawn setting, and an exciting eleventh-hour kidnapping plot propel Leavy’s story. The author also offers rich details about Rye’s Hollywood world and Dee’s opinions on art (“I love art more than anything; it’s sacred to me. Artists need to be free. Art shouldn’t have to apologize for itself. It should provoke, inspire, unsettle, and disrupt—or at least aspire to”). Unfortunately, there’s no conflict at all between Dee and Rye, which feels like a missed opportunity given the actor’s dramatic backstory and the constant presence of paparazzi. Instead, they are just happy and in love, which comes across as more cloying than romantic. Dee is also a little too perfect. Everyone is completely dazzled by her; Rye’s Hollywood friends all know about her work and, on meeting her, want her input on their projects. In one scene, a hip-hop artist asks Dee to comment on her music. Dee demurs, saying she doesn’t know anything about hip-hop. But then she listens to a song and immediately figures out how to fix it. She is suddenly an expert on trap music, which will strain readers’ credulity.
An intriguing but improbable romance.Pub Date: April 4, 2023
ISBN: 9781647422967
Page Count: 224
Publisher: She Writes Press
Review Posted Online: Dec. 21, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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