A quick-witted depiction of moviemaking best suited for contemplative romantics.
A group of famous film actors moves to Sweden to shoot an unconventional movie in Leavy’s novel.
The avant-garde French filmmaker Jean Mercier is making a new English-language film featuring many fan-favorite celebrities. Considered a thoughtful and cerebral director, Mercier’s choice of actors, including a former teenage heartthrob and an action-adventure star, is unexpected. As per Mercier’s instructions, the actors will be required to live together, on location in Sweden, for the duration of the shoot. Of particular note is 42-year-old movie star Finn Forrester, who tries to break up with his longtime girlfriend, Savannah, just before he departs. Savannah will have none of it, however, telling Finn to wait until his return to make any decisions. Two weeks into the shoot, the American philosopher and artist Ella Sinclair arrives on set, and Finn is immediately smitten (“She’s a real artist through and through, the embodiment of inspiration. And not bad to look at either”). Ella seems to be Mercier’s muse, and Finn is at first unsure whether it’s acceptable to pursue her. As the pair grow closer, Finn wonders how he could ever have a meaningful life without Ella in it. Meanwhile, Ella worries Finn is being disingenuous about his intention to end his preexisting relationship. As readers are treated to a delightful will-they, won’t-they romp, the group of actors grows progressively closer, and many of their lives are changed irrevocably. There are many scenes in which the cast, a cerebral group, engages in compelling and high-level philosophical debates about art, sex, films, and more. Each character is more charming than the next, and the stay at the Swedish home seems like great fun, but there are moments when excessive detail stalls the otherwise lively narrative; much of the story unfolds over meals, in which characters place one food order after another, again and again. Other details about the setting (that might help ground the reader in the action) are sparse. Even so, the intellectual discussions throughout the book prove fresh and engaging and will keep the pages turning.
A quick-witted depiction of moviemaking best suited for contemplative romantics.Pub Date: Oct. 10, 2023
ISBN: 9781647425678
Page Count: 224
Publisher: She Writes Press
Review Posted Online: June 26, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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