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NORA'S CHICKS

Like her novels, MacLachlan’s latest picture book is a heartwarming—but never saccharine—tale with an old-fashioned feel.

This low-key slice of life, apparently adapted from the author’s grandmother’s experiences as an immigrant child, offers a glimpse of another time and reminds young listeners that friends, whether feathered or human, are among life’s sweetest gifts.

Nora, her baby brother, Milo, and her parents have come to the United States from Russia. The prairie landscape is bleak and unfamiliar, Milo is still too small to speak, and Nora is lonely. A neighbor, not near but closer than anyone else, has potential as a friend, but like Nora, is too shy to connect. Nora welcomes a stray dog who joins their little family, but Willie bonds with Milo, so she is still alone. Then her father brings home some poultry, intending the birds for their table, and Nora finds “something all [her] own” at last. That her feathered friends lead her to a new companion will please young listeners, who’ll appreciate the happy ending (which is really a new beginning). MacLachlan’s relatively lengthy, leisurely, straightforward text is realistic without bogging down in details as the action moves along. Brown’s watercolor illustrations are the perfect complement, bringing characters to life, mirroring the plot, portraying the rural setting clearly (if a bit ideally) and evoking a simpler time.

Like her novels, MacLachlan’s latest picture book is a heartwarming—but never saccharine—tale with an old-fashioned feel. (Picture book. 5-8)

Pub Date: Feb. 12, 2013

ISBN: 978-0-7636-4753-7

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 30, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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