A quiet, deeply satisfying celebration of the turn of the year and the joy of community.
A young woman harnesses two Percheron horses for a magical sleigh ride on New Year’s Eve.
Archer’s signature scenes set the mood with snowy fields dotted with groupings of trees; an illustration of one of the trees features graceful limbs encircled with collaged images of music notes. Readers follow sheep and Jenny into the barn at dusk as she leads the strong, black horses to the sleigh, attaches bells to their bridles, and turns on the lights outlining four rows of seats. MacLachlan, deftly crafting her narrative with a minimum of well-chosen words, provides the sensory details. Text is presented in blocks of free verse: “The breaths of Tim and / Tom make silver clouds. / The sleigh makes a / whisper sound in the / snow—a comforting / swish, swish, swish.” En route, the vehicle gathers children, some of whom trumpet their excitement from a front porch before hopping aboard. When their turn is over, the elders get a ride, laughing and talking, remembering their own childhood snow play, presented in a sequence of vignettes. Changes in light and perspective maintain interest, as do the patterns of the snowflakes and the starbursts glowing from streetlamps. The warm palette and bold designs of the papers used to depict fabric and floor planks contrast beautifully with the smooth coolness of the wintry landscape. Jenny is brown-skinned; the other characters are racially diverse. (This book was reviewed digitally.)
A quiet, deeply satisfying celebration of the turn of the year and the joy of community. (Picture book. 4-7)Pub Date: Nov. 8, 2022
ISBN: 978-1-5344-7355-3
Page Count: 40
Publisher: McElderry
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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