by Patricia MacLachlan ; illustrated by Micha Archer ‧ RELEASE DATE: Nov. 8, 2022
A quiet, deeply satisfying celebration of the turn of the year and the joy of community.
A young woman harnesses two Percheron horses for a magical sleigh ride on New Year’s Eve.
Archer’s signature scenes set the mood with snowy fields dotted with groupings of trees; an illustration of one of the trees features graceful limbs encircled with collaged images of music notes. Readers follow sheep and Jenny into the barn at dusk as she leads the strong, black horses to the sleigh, attaches bells to their bridles, and turns on the lights outlining four rows of seats. MacLachlan, deftly crafting her narrative with a minimum of well-chosen words, provides the sensory details. Text is presented in blocks of free verse: “The breaths of Tim and / Tom make silver clouds. / The sleigh makes a / whisper sound in the / snow—a comforting / swish, swish, swish.” En route, the vehicle gathers children, some of whom trumpet their excitement from a front porch before hopping aboard. When their turn is over, the elders get a ride, laughing and talking, remembering their own childhood snow play, presented in a sequence of vignettes. Changes in light and perspective maintain interest, as do the patterns of the snowflakes and the starbursts glowing from streetlamps. The warm palette and bold designs of the papers used to depict fabric and floor planks contrast beautifully with the smooth coolness of the wintry landscape. Jenny is brown-skinned; the other characters are racially diverse. (This book was reviewed digitally.)
A quiet, deeply satisfying celebration of the turn of the year and the joy of community. (Picture book. 4-7)Pub Date: Nov. 8, 2022
ISBN: 978-1-5344-7355-3
Page Count: 40
Publisher: McElderry
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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