Glorious.
If indeed the “child is father to the man,” Newbery medalist MacLachlan’s poetic, careful and concentrated text captures the essence of Matisse’s childhood experiences and draws powerful parallels with his later life and work.
In her second picture book, Hooper (Here Come the Girl Scouts, by Shana Corey, 2012) employs a relief-print process with digital enhancement, art that is a perfect match for the simple story’s vivid imagery. Effective page turns and the accretion of detail in both text and illustration take readers on a journey from perennially overcast northern France to the patterned interiors and lush exoticism of Matisse’s Provence while demonstrating the artistic beginnings of his fauvist palette. It modulates from spread to spread, from the “dreary town in northern France” where the skies and streets are gray, through the exciting, paint-filled pots of color in Matisse’s mother’s china-painting studio and the oranges and golds of fruit and flowers from the markets to the many shades of reds in the rugs his mother put on the walls and floors of their house. The title springs from Matisse’s love of pigeons. He was fascinated by their “sharp eyes” and “red feet.” And he particularly loved watching their colors change as they moved—the titular “iridescence.” Raising pigeons, it seems, was the perfect pastime for this quiet, color-loving boy who would become a brilliant painter.
Glorious. (biographical note, artist’s note, further reading) (Picture book/biography. 4-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-59643-948-1
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A resplendent masterpiece.
Based on her experience of leaving Mexico for the United States, Morales’ latest offers an immigrant’s tale steeped in hope, dreams, and love.
This story begins with a union between mother and son, with arms outstretched in the midst of a new beginning. Soon after, mother and son step on a bridge, expansive “like the universe,” to cross to the other side, to become immigrants. An ethereal city appears, enfolded in fog. The brown-skinned woman and her child walk through this strange new land, unwilling to speak, unaccustomed to “words unlike those of our ancestors.” But soon their journey takes them to the most marvelous of places: the library. In a series of stunning double-page spreads, Morales fully captures the sheer bliss of discovery as their imaginations take flight. The vibrant, surreal mixed-media artwork, including Mexican fabric, metal sheets, “the comal where I grill my quesadillas,” childhood drawings, and leaves and plants, represents a spectacular culmination of the author’s work thus far. Presented in both English and Spanish editions (the latter in Teresa Mlawer’s translation), equal in evocative language, the text moves with purpose. No word is unnecessary, each a deliberate steppingstone onto the next. Details in the art provide cultural markers specific to the U.S., but the story ultimately belongs to one immigrant mother and her son. Thanks to books and stories (some of her favorites are appended), the pair find their voices as “soñadores of the world.”
A resplendent masterpiece. (author’s note) (Picture book. 4-8)Pub Date: Sept. 4, 2018
ISBN: 978-0-8234-4055-9
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Aug. 15, 2018
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