by Patricia MacLachlan & illustrated by Barry Moser ‧ RELEASE DATE: Sept. 30, 1995
A superb writer presents the themes of leave-taking and memory that recur frequently in her novels, beautifully distilled into a picture book. From Skylark (1994), MacLachlan expands one phrase (``. . .she can't help remembering what she knew first'') into a story about a family's wrenching departure from their prairie farm and a young girl's determination to remember every detail. The spare text and Moser's haunting engravings are poignantly nostalgic; adults reading this out loud will find the combination affecting, but it may be less meaningful to children, with their limited experience of change and more concrete ways of thinking. The circumstances compelling the family's move are never explained; drought isn't the reason, and the narrator's question, ``Why are we leaving if everyone's so sad?'' is likely to echo readers' thoughts. Black- and-white with the barest hint of tint and as still and posed as old photographs, the atmospheric illustrations may puzzle the young: A man is disappearing from the frame in the frontispiece; the heads of the adults are cut off by the cropping of a family grouping. With very little book-talking, younger readers will take away from this as much as older ones; no one will fail to appreciate the gentle flow of words and understated sentiments. (Picture book. 7+)
Pub Date: Sept. 30, 1995
ISBN: 0-06-024413-5
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
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by Jeff Kinney ; illustrated by Jeff Kinney ‧ RELEASE DATE: Nov. 5, 2019
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
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by Jeff Kinney ; illustrated by Jeff Kinney
by Jeff Kinney ; illustrated by Jeff Kinney
by Jeff Kinney ; illustrated by Jeff Kinney
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SEEN & HEARD
by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Tiffany Jewell ; illustrated by Nicole Miles
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