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CUT

Sea Pines, a.k.a. Sick Minds, treats teenaged girls with food- and substance-abuse issues, and Callie, whose issue is self-mutilation. She will not talk about her dysfunctional family, her guilt toward her brother Sam’s severe asthma, or why she cuts herself. She will not talk—period. Cut is Callie’s interior monologue that alternates between her interactions with her therapist and her interactions with the other residents, the staff, and her family. Her thought process reveals a girl who seems to have given up on life until one cut scares the life back into her. The ability to talk then becomes a metaphor for Callie’s ability to understand herself and to begin the healing process. Readers are also treated to the downfalls and triumphs of Callie’s peers, including a new resident who shares Callie’s affliction. First-timer McCormick tackles a side of mental illness that is rarely seen in young-adult literature in a believable and sensitive manner. Unlike other authors of this genre, she avoids stereotypes and blends gentle humor with this serious topic. McCormick ultimately portrays Callie as a normal teenager who yearns for a stable family structure and friends, and who also has a psychological problem. A thoughtful look at teenage mental illness and recovery. (Fiction. 13-15)

Pub Date: Oct. 31, 2000

ISBN: 1-886910-61-8

Page Count: 168

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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MONSTER

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...

In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.

Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.

The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)

Pub Date: May 31, 1999

ISBN: 0-06-028077-8

Page Count: 280

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 1999

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HIDDEN TALENTS

An eighth grader discovers five schoolmates with psychic powers in this amateurish effort from Lubar. Martin, who was expelled from every other junior high in six counties for mouthing off, is consigned to prison-like Edgeview Alternative School, along with other violent or nerdy teens deemed hopeless misfits. While trying to avoid both the ready fists of hulking bully Lester Bloodbath and the shock therapy meted out by Principal Davis, he meets Torchy, who can start fires without matches or lighters, Cheater Woo, whose test answers are always identical to someone else’s, and several others with odd, unconscious talents. Interspersing Martin’s tediously self-analytical narrative with flat attempts at humor, trite student essays, repetitive memos to faculty, and mawkish letters from home, Lugar draws the tale to a paradoxical climax in which the self-styled “psi five” scuttle Bloodbath’s plot to close the school down, but then do their best to earn releases. After realizing that he is psychic, able to read people’s deepest fears and hopes, Martin abruptly acquires a sense of responsibility and resolves never to abuse his talent. Padded with aimless subplots and earnest efforts to drum up sympathy for the one-dimensional cast’s brutal bullies and ineffectual teachers, this contrived story is a weak alternative to Stephanie Tolan’s Welcome to the Ark (1996) or Willo Davis Roberts’s The Girl with the Silver Eyes (1980). (Fiction. 12-15)

Pub Date: June 1, 1999

ISBN: 0-312-86646-1

Page Count: 213

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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