by Patricia Pearson ‧ RELEASE DATE: April 1, 2005
A Great White North pundit altogether too nice for south of the border.
Canadian journalist Pearson (When She Was Bad, 1997, etc.) offers some mildly amusing, finally innocuous comments on organic foods, daycare and surviving motherhood.
Pearson’s gently satiric essays, many originally published in the National Post, seem to have lost their stringency this far south, where debates on carcinogenic foods, the invasion of privacy by credit departments and the evils of daycare have been swirling around for years. Written in a punchy, bulleted style meant for easy digestion, Pearson’s flippant pieces excoriate the newfangled (American) way of food efficiency in favor of old-fashioned cooking: e.g., microwave popcorn’s “flavor vapors” may cause cancer, so she offers the cheaper kernel-pot method. For Christmas, she eschews annoying electronic toys for her two small children in favor of such home-style devices as a stick, the cat and toilet paper. She has rejected the “hostile little ecosystem of female rivalry, with a smell of sugar-coated bitchiness,” also known as the department-store beauty department, and now frequents a barbershop for a $15 haircut. To mitigate the guilt of dumping children in daycare, Pearson “researched” biographies of some famous people who grew up under surrogate parents (Elizabeth I, Jane Austen) and concludes, “Studies show that thinking of oneself as a semi-divine being can often compensate for decapitated or working mother.” The substantial last section takes place in the village of Tepoztlan, Mexico, where the author holed her family up for six months to find “simplicity,” and instead battled mangy dogs and importunate landlords. Frustrated by the language barrier, she offers some poignant remarks on being a new immigrant (she now sympathizes with New Canadians who bemoan the “Aura of Rank Stupidity” their beginning English conveys) and a very funny anecdote about visiting el dentista where “dolor” becomes “dollars.” Overall, Pearson’s voice is almost engagingly naïve, though her subjects are fairly derivative.
A Great White North pundit altogether too nice for south of the border.Pub Date: April 1, 2005
ISBN: 1-58234-536-8
Page Count: 208
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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