by Patricia Polacco ; illustrated by Patricia Polacco ‧ RELEASE DATE: Aug. 26, 2014
Polacco’s large and multiethnic family yields up another fine story, this one in greens and grays, lace and fire
When the textile mill in Glen Kerry, Ireland, is closed, Fiona’s family accepts passage to Chicago to work as servants for the family who paid their fares.
Fiona spends the endless journey making lace as her mother taught her. She and her sister, Ailish, love the oft-told story of how their father met their mother, when she tied bits of her lace in a trail from the mill to her home so he could be introduced properly. Since the family gets no wages until they pay off their passages, the parents must take other jobs after hours, but Fiona’s lace finds a market, and the family is able to save toward buying land in Michigan. But one evening, when Fiona is making lace and her parents are out working, a fire (the great Chicago fire of 1871) breaks out near their tenement. Fiona and Ailish escape with the lace, which Fiona uses to mark a path so their parents can find them, just as their father found their mother. Polacco weaves her themes well: immigrant history, family lore, poverty and oppression, and hope for the future. The greens of Ireland are beautifully pictured, and the dun and gray of the Chicago tenements are brightened by the sweetness of the lace patterns and the girls’ red hair.
Polacco’s large and multiethnic family yields up another fine story, this one in greens and grays, lace and fire . (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-8724-6
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
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by Patricia Polacco ; illustrated by Patricia Polacco
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by Patricia Polacco ; illustrated by Patricia Polacco
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by Patricia Polacco ; illustrated by Patricia Polacco
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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