The prolific Polacco (The Trees of the Dancing Goats, 1996, etc.) tells a cumulative tale of the mayhem that ensues when a bee lands on a tree at an outdoor restaurant, setting off a frenzied chain of events; "The House That Jack Built" provides the blueprint—"This is the bee that stopped on a tree in Enzo's splendid gardens." A boy who drops his book to look at a bee causes the waiter to trip, splashing a drink on a matron, forcing ladies to trip and spill their tea, resulting in a man face down in the dessert tray, who jostles the chef, and so forth. The rhyme scheme gets the better of Polacco, with awkward rhythms that deviate from the pattern. As the chaos spreads, the lines become jarring: "Here comes Enzo, full of spaghetti, chasing his cat, whose name is Lettie, hoping to catch her, but she thinks not and runs through the room, wearing the pot that was jostled and spilled." The result is a glorified food fight. The illustrations are crowded with swarms of restaurant-goers whose mouths show perpetual astonishment, but the staging is clumsy, too. Readers cannot follow the action as it is choreographed in the scenes, e.g., the waiter is suspended mid-air for two spreads, implying a short passage of time, while another man in those pages goes from a relaxed pose sitting behind a table to running away in panic some distance from the scene, indicating that the time that has lapsed is longer. (Picture book. 4-8)
Pub Date: April 14, 1997
ISBN: 0-399-23107-2
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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